Richard IIIJunction Books, 1981 - 266 Seiten "I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart) The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged. Each volume features: |
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Seite 38
... soliloquy , she had been greatly relieved by Shakespeare's care for ' the honour of the human character ' in contriving ' to make Richard's wickedness appear to arise from a resentment against the partiality of Nature ' thus moving us ...
... soliloquy , she had been greatly relieved by Shakespeare's care for ' the honour of the human character ' in contriving ' to make Richard's wickedness appear to arise from a resentment against the partiality of Nature ' thus moving us ...
Seite 143
... soliloquy ( see Appendix ( b ) ) , summing up his achievements and pondering the next step , very much in the spirit of Shakespeare's soliloquy at the end of I.1 , or at IV.3.36-43 . The Monthly Mirror , November 1800 , noted the ...
... soliloquy ( see Appendix ( b ) ) , summing up his achievements and pondering the next step , very much in the spirit of Shakespeare's soliloquy at the end of I.1 , or at IV.3.36-43 . The Monthly Mirror , November 1800 , noted the ...
Seite 177
... soliloquy , or extended aside , that Richard speaks just before making himself known ( see Appendix ( d ) ) reinforces the romantic streak that Cibber had touched on in the earlier soliloquy at Anne's first entrance . It appears that he ...
... soliloquy , or extended aside , that Richard speaks just before making himself known ( see Appendix ( d ) ) reinforces the romantic streak that Cibber had touched on in the earlier soliloquy at Anne's first entrance . It appears that he ...
Inhalt
Preface by Jeremy Treglown | 1 |
Introduction | 9 |
Richard III | 85 |
Urheberrecht | |
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acting actors arms audience Audrey Williamson blood Boaden Booth BRAKENBURY brother Buckingham Catesby century Charles Kean Cibber cut Cibber's version CITIZEN Clarence Colley Cibber Cooke crown curse dead death Dorset doth dream Drury Lane DUCHESS OF YORK Duke Edmund Kean Edwin Booth Elizabethan Enter Richard Exeunt Exit eyes fear Garrick Genest Gentleman ghosts give Gloucester grace Hackett hath Hazlitt head heart heaven Henry Henry VI horse Ian Holm Ibid Irving Irving's John Wood Kean's Kemble KING RICHARD Lady Anne lines live London look Lord Hastings Macready madam Mayor MESSENGER mother night noble Norfolk Olivier performance Peter Hall's production Phelps PRINCE EDWARD promptbook QUEEN ELIZABETH QUEEN MARGARET quoted Ratcliffe restored reviewer Richard III Richmond Rivers royal scene SECOND MURDERER Shakespeare Shakespearian Shaw soliloquy soul speech Sprague sword tell tent Terry Hands Theatre theatrical thee thou thought throne Tower Tyrrel unto villain voice William Wolfit words young