Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 50Gale Research Company, 1984 |
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Seite 60
... never confides in the audi- ence any plot against the hero . In fact , he never even speaks in soliloquy until after his exposure in act 4 , something that in no way improves Bertram's charac- ter . The Count returns home in the foppish ...
... never confides in the audi- ence any plot against the hero . In fact , he never even speaks in soliloquy until after his exposure in act 4 , something that in no way improves Bertram's charac- ter . The Count returns home in the foppish ...
Seite 275
... never tells us whether he does . Brutus is not so much naive as he is old - fashioned , out of time as it progresses over and around him . He does not seem to realize that he cannot stop the flow of events . His action is as heroic as ...
... never tells us whether he does . Brutus is not so much naive as he is old - fashioned , out of time as it progresses over and around him . He does not seem to realize that he cannot stop the flow of events . His action is as heroic as ...
Seite 362
... never saw ' em " ( 2.1.46 ) that should be recalled later : he has never seen excellence in human- kind ; never sees Palamon , that we know of ; but he will be the lover of the Jailer's Daughter , who on her wedding night will believe ...
... never saw ' em " ( 2.1.46 ) that should be recalled later : he has never seen excellence in human- kind ; never sees Palamon , that we know of ; but he will be the lover of the Jailer's Daughter , who on her wedding night will believe ...
Inhalt
Social Class in Shakespeares Plays | 1 |
Coriolanus | 99 |
Julius Caesar | 185 |
Urheberrecht | |
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