Laocoon: An Essay on the Limits of Painting and PoetryLongman, Brown, Green, and Longmans, 1853 - 255 Seiten |
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Seite ix
... whole subject is to become visible . It is its natural tendency when any new station is gained to be occupied with the novelty of its actual position or in the ardour of its ambition to turn its gaze only in the direction of its object ...
... whole subject is to become visible . It is its natural tendency when any new station is gained to be occupied with the novelty of its actual position or in the ardour of its ambition to turn its gaze only in the direction of its object ...
Seite x
... whole truth , seeing that when these data are sufficient they must contain the whole truth , whether the generaliza- tion which is to convert it into a science shall have actually taken place or not . Now it is as representing a class ...
... whole truth , seeing that when these data are sufficient they must contain the whole truth , whether the generaliza- tion which is to convert it into a science shall have actually taken place or not . Now it is as representing a class ...
Seite xv
... painting the most ill - digested conclusions . At one time they compress poetry into the narrower limits of painting , at another they allow painting to occupy the whole wide sphere of poetry . Everything , say PREFACE . XV.
... painting the most ill - digested conclusions . At one time they compress poetry into the narrower limits of painting , at another they allow painting to occupy the whole wide sphere of poetry . Everything , say PREFACE . XV.
Seite xvi
An Essay on the Limits of Painting and Poetry Gotthold Ephraim Lessing. the whole wide sphere of poetry . Everything , say they , that the one is entitled to , should be conceded to the other ; everything that pleases or displeases in ...
An Essay on the Limits of Painting and Poetry Gotthold Ephraim Lessing. the whole wide sphere of poetry . Everything , say they , that the one is entitled to , should be conceded to the other ; everything that pleases or displeases in ...
Seite 2
... whole posture . He raises no terrible shriek , such as Virgil makes his Laocoon utter , for the opening of " the mouth does not admit it ; it is rather an anxious " and suppressed sigh , as described by Sadolet . The " pain of body and ...
... whole posture . He raises no terrible shriek , such as Virgil makes his Laocoon utter , for the opening of " the mouth does not admit it ; it is rather an anxious " and suppressed sigh , as described by Sadolet . The " pain of body and ...
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Häufige Begriffe und Wortgruppen
according actions actually allow already ancient appears artist attributes authors beauty become believe bodily body called CHAPTER complete considered contrary critics describes disgusting draw effect entirely example executed expression eyes feel figure former fury give gods Greek ground hand Homer human idea Iliad imagination imitation intended kind Laocoon latter least less lines look Lysippus Mars master material means mentioned merely nature never NOTE object observation once opinion pain painter painting pass passage perhaps Philoctetes picture piece pleasure Pliny poet poetry possible present probability produce prove reason remarks render representation represented Roman says seems seen serpents shield shriek single Sophocles sorrow speaking Spence statue suffering supposed taste thing tion true ugliness Virgil visible whole Winkelmann wish δὲ καὶ
Beliebte Passagen
Seite 166 - Thou, nature, art my goddess ; to thy law My services are bound : Wherefore should I Stand in the plague of custom ; and permit The curiosity of nations to deprive me, For that I am some twelve or fourteen moonshines Lag of a brother...
Seite 167 - But I, that am not shaped for sportive tricks, Nor made to court an amorous looking-glass; I, that am rudely stamp'd, and want love's majesty To strut before a wanton ambling nymph...
Seite 151 - Bianca nieve è il bel collo, e '1 petto latte; il collo è tondo, il petto colmo e largo: due pome acerbe, e pur d'avorio fatte, vengono e van come onda al primo margo, quando piacevole aura il mar combatte.
Seite 51 - Bis medium amplexi, bis collo squamea circum Terga dati, superant capite et cervicibus altis.
Seite 167 - Deform'd, unfinish'd, sent before my time Into this breathing world, scarce half made up, And that so lamely and unfashionable That dogs bark at me as I halt by them; Why, I, in this weak piping time of peace...
Seite 167 - I, that am curtail'd of this fair proportion, Cheated of feature by dissembling nature, Deform'd, unfinish'd, sent before my time Into this breathing world, scarce half made up...
Seite 140 - Di persona era tanto ben formata, quanto me' finger san pittori industri ; con bionda chioma lunga et annodata: oro non è che più risplenda e lustri. Spargeasi per la guancia delicata misto color di rose e di ligustri; di terso avorio era la fronte lieta, che lo spazio finia con giusta meta.
Seite 220 - Sollemnis taurum ingentem mactabat ad aras. Ecce autem gemini a Tenedo tranquilla per alta (Horresco referens) immensis orbibus angues Incumbunt pelago, pariterque ad litora tendunt : Pectora quorum inter fluctus arrecta, jubaeque Sanguineae exsuperant undas : pars cetera pontum Pone legit, sinuatque immensa volumine terga.
Seite 141 - La bocca sparsa di natio cinabro; Quivi due filze son di perle elette, Che chiude ed apre un bello, e dolce labro: Quindi escon le cortesi parolette Da render molle ogni cor rozzo e scabro: Quivi si forma quel soave riso, Ch'apre a sua posta in terra il paradiso. Bianca neve è il bel collo, e...
Seite 244 - Soft were my numbers ; who could take offence While pure description held the place of sense ? Like gentle Fanny's was my flow'ry theme, A painted mistress, or a purling stream.