The Dramatist's Experience: With Other Essays in Literary TheoryChatto & Windus, 1970 - 248 Seiten |
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Seite 121
... centuries , but in the novel we can find the eighteenth - century Sterne , with his gleeful insistence on man's puppet - like status , and the nineteenth- century Zola , the nineteenth - century Flaubert , coexisting with novelists ...
... centuries , but in the novel we can find the eighteenth - century Sterne , with his gleeful insistence on man's puppet - like status , and the nineteenth- century Zola , the nineteenth - century Flaubert , coexisting with novelists ...
Seite 187
... century theatre nor the approach to the picture - frame that came in the eigh- teenth century could have constituted so remarkable an analogue to the tensions of his writing . In discussing the way in which Restoration comedy should be ...
... century theatre nor the approach to the picture - frame that came in the eigh- teenth century could have constituted so remarkable an analogue to the tensions of his writing . In discussing the way in which Restoration comedy should be ...
Seite 211
... century drama on the other , we should not be surprised if it is also true of the drama in the stretch of time that links the two periods . Or , rather , we should not be surprised if it happens whenever the drama occupies a prominent ...
... century drama on the other , we should not be surprised if it is also true of the drama in the stretch of time that links the two periods . Or , rather , we should not be surprised if it happens whenever the drama occupies a prominent ...
Inhalt
PREFACE page | 1 |
A School of Criticism | 24 |
Comedy in the Grand Style | 42 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
absurd achieved action actor Aristotle audience audience's aware become Bérénice catharsis century Chapter characters comedy comic concerned Congreve Congreve's conscious contemplation course Criticism death Double Dealer drama dramatist Dryden Duchess of Malfi Elizabethan English existence experience Fainall feel flux folly fully give Grand Style Hamlet hero human I. A. Richards idea imagined implied Jacobean Jonson judgment kind King Lady language Lear literary literature living London Love for Love major Marlowe measure merely Millamant mind Mirabel mode nature Nostromo notion novel Othello paradox particular pattern performance perhaps play play's playwright poem poet poet's Poetics poetry present prose reader recognise relation response Restoration comedy Revenger's Tragedy satire scene seen sense separate Shakespeare society spectator speech stage Sulaco Tamburlaine theatre things thought tion tragedy tragic Troilus and Cressida ultimate utterance whole words writing Yvonne Zola