The Dramatist's Experience: With Other Essays in Literary TheoryChatto & Windus, 1970 - 248 Seiten |
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Seite 126
... tragedy a notion that he found conveniently at hand in the sister - art of music . Even the strongly musical character of ancient tragedy would not justify such a glib transference from one field to another . Moreover , as D. M. Hill ...
... tragedy a notion that he found conveniently at hand in the sister - art of music . Even the strongly musical character of ancient tragedy would not justify such a glib transference from one field to another . Moreover , as D. M. Hill ...
Seite 147
... tragedy , though not a tragedy that even momentarily con- soles us . Part of the measure of Marlowe's independence is his frank refusal to let us feel purged : we pause for a moment to assimilate what has been put before us , but we ...
... tragedy , though not a tragedy that even momentarily con- soles us . Part of the measure of Marlowe's independence is his frank refusal to let us feel purged : we pause for a moment to assimilate what has been put before us , but we ...
Seite 152
... tragedy in the plays of Marlowe . No Jacobean went further than Marlowe in his exposure of the vanity and cruelty that go along with conquest and power ; no one exceeded him in his intimate concern with physical suffering , most notably ...
... tragedy in the plays of Marlowe . No Jacobean went further than Marlowe in his exposure of the vanity and cruelty that go along with conquest and power ; no one exceeded him in his intimate concern with physical suffering , most notably ...
Inhalt
PREFACE page | 1 |
A School of Criticism | 24 |
Comedy in the Grand Style | 42 |
Urheberrecht | |
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absurd achieved action actor Aristotle audience audience's aware become Bérénice catharsis century Chapter characters comedy comic concerned Congreve Congreve's conscious contemplation course Criticism death Double Dealer drama dramatist Dryden Duchess of Malfi Elizabethan English existence experience Fainall feel flux folly fully give Grand Style Hamlet hero human I. A. Richards idea imagined implied Jacobean Jonson judgment kind King Lady language Lear literary literature living London Love for Love major Marlowe measure merely Millamant mind Mirabel mode nature Nostromo notion novel Othello paradox particular pattern performance perhaps play play's playwright poem poet poet's Poetics poetry present prose reader recognise relation response Restoration comedy Revenger's Tragedy satire scene seen sense separate Shakespeare society spectator speech stage Sulaco Tamburlaine theatre things thought tion tragedy tragic Troilus and Cressida ultimate utterance whole words writing Yvonne Zola