Victorian Thinkers: Carlyle, Ruskin, Arnold, MorrisOxford University Press, 1993 - 428 Seiten Victorian Thinkers contains studies of four of the most influential critics of nineteenth-century British culture. Each was heralded as a prophet in his own lifetime, yet each was also regarded as misguided--even mad--by his contemporaries. Thomas Carlyle, writer of extraordinary stature, radical in thought and style; John Ruskin, who began his career as a critic of painting and architecture and whose views developed to include critiques of economics and social welfare; Matthew Arnold, poet and literary critic, a definer of 'culture' who later turned to social issues; and William Morris, renowned for his work as an artist and designer, champion of a revolutionary socialism which would honor the civilizing effects of the arts. Small masterpieces of insight and concision, this volume offers a perfect introduction to the Victorian era. |
Im Buch
Ergebnisse 1-3 von 68
Seite 126
... experience remain a constant throughout his long career . His comparisons in the first volume of Modern Painters of his experience of La Riccia with Claude's painting of it , his experience of Tintoretto's Annunciation in the second ...
... experience remain a constant throughout his long career . His comparisons in the first volume of Modern Painters of his experience of La Riccia with Claude's painting of it , his experience of Tintoretto's Annunciation in the second ...
Seite 145
... experience of one who gradually perceives the meaning of a painting and thus fully experiences the work of art . Ruskin , who had a gift for intellectual analysis , understood his role as art critic as necessarily moving beyond it to an ...
... experience of one who gradually perceives the meaning of a painting and thus fully experiences the work of art . Ruskin , who had a gift for intellectual analysis , understood his role as art critic as necessarily moving beyond it to an ...
Seite 183
... experience of spiritual , aesthetic , or political truth ; it tries , instead , to make the reader re - experience something of crucial importance to Ruskin by placing him , as it were , inside Ruskin's consciousness . Ruskin's ...
... experience of spiritual , aesthetic , or political truth ; it tries , instead , to make the reader re - experience something of crucial importance to Ruskin by placing him , as it were , inside Ruskin's consciousness . Ruskin's ...
Inhalt
Contents Abbreviations | 7 |
Early years | 9 |
Sartor Resartus | 26 |
Urheberrecht | |
25 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
achieved already appeared architecture Arnold artist beauty became become believed buildings called Carlyle Carlyle's century Church concern contemporary continued course criticism culture death early effect England English essays example experience expression fact feeling figure force French friends House human ideal ideas imagination important influence intellectual interest interpretation John kind later learned less letters literary literature living London look major meaning mind moral Morris Morris's nature never original Oxford Painters painting particularly passage past perhaps period poems poet poetry political present Press prophet prose published qualities question readers reading reason relation religious response role Ruskin seems sense social society style suggests symbolical things thought tion tradition true truth turn University Victorian volume whole writing wrote young
Verweise auf dieses Buch
A Mad, Bad, and Dangerous People? : England 1783-1846: England 1783-1846 Boyd Hilton Keine Leseprobe verfügbar - 2006 |