Victorian Thinkers: Carlyle, Ruskin, Arnold, MorrisOxford University Press, 1993 - 428 Seiten Victorian Thinkers contains studies of four of the most influential critics of nineteenth-century British culture. Each was heralded as a prophet in his own lifetime, yet each was also regarded as misguided--even mad--by his contemporaries. Thomas Carlyle, writer of extraordinary stature, radical in thought and style; John Ruskin, who began his career as a critic of painting and architecture and whose views developed to include critiques of economics and social welfare; Matthew Arnold, poet and literary critic, a definer of 'culture' who later turned to social issues; and William Morris, renowned for his work as an artist and designer, champion of a revolutionary socialism which would honor the civilizing effects of the arts. Small masterpieces of insight and concision, this volume offers a perfect introduction to the Victorian era. |
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Seite 120
... painting , Ruskin's second major concern in this volume , was also demanded by his somewhat unexpected inclusion of Italian art . Having begun a defence of Turner , a master of landscape , he had been diverted to other forms of painting ...
... painting , Ruskin's second major concern in this volume , was also demanded by his somewhat unexpected inclusion of Italian art . Having begun a defence of Turner , a master of landscape , he had been diverted to other forms of painting ...
Seite 144
... painting for the reader , therefore , he has to dramatize the process of perceiving both . Such an approach to art appears with particular clarity in his section on the penetrative imagination in the second volume of Modern Painters ...
... painting for the reader , therefore , he has to dramatize the process of perceiving both . Such an approach to art appears with particular clarity in his section on the penetrative imagination in the second volume of Modern Painters ...
Seite 154
... painting , Ruskin draws upon Homer , Hesiod , Euri- pides , Virgil , Dante , Spenser , Milton , and the Bible ... painter must paint ... Our Madonna - or our Jupiter on 154 Ruskin.
... painting , Ruskin draws upon Homer , Hesiod , Euri- pides , Virgil , Dante , Spenser , Milton , and the Bible ... painter must paint ... Our Madonna - or our Jupiter on 154 Ruskin.
Inhalt
Contents Abbreviations | 7 |
Early years | 9 |
Sartor Resartus | 26 |
Urheberrecht | |
25 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
achieved already appeared architecture Arnold artist beauty became become believed buildings called Carlyle Carlyle's century Church concern contemporary continued course criticism culture death early effect England English essays example experience expression fact feeling figure force French friends House human ideal ideas imagination important influence intellectual interest interpretation John kind later learned less letters literary literature living London look major meaning mind moral Morris Morris's nature never original Oxford Painters painting particularly passage past perhaps period poems poet poetry political present Press prophet prose published qualities question readers reading reason relation religious response role Ruskin seems sense social society style suggests symbolical things thought tion tradition true truth turn University Victorian volume whole writing wrote young
Verweise auf dieses Buch
A Mad, Bad, and Dangerous People? : England 1783-1846: England 1783-1846 Boyd Hilton Keine Leseprobe verfügbar - 2006 |