Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 23Indiana University Press, 2001 |
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Seite 103
... Marcos ( We Are All Marcos ) , staged in 1994 as part of " Teatro Clandestino " at the Casa de Teatro in Mexico City , exemplifies the divisions among people who identify with the political left in Mexico . Specifically , the play ...
... Marcos ( We Are All Marcos ) , staged in 1994 as part of " Teatro Clandestino " at the Casa de Teatro in Mexico City , exemplifies the divisions among people who identify with the political left in Mexico . Specifically , the play ...
Seite 115
... Marcos's identity ; yet their words and actions show them to be enemies of so- cial progress . Miguel , who is a ... Marcos . When Miguel dons the facemask and " becomes Marcos , " the audience , too , becomes Marcos . Thus we are all ...
... Marcos's identity ; yet their words and actions show them to be enemies of so- cial progress . Miguel , who is a ... Marcos . When Miguel dons the facemask and " becomes Marcos , " the audience , too , becomes Marcos . Thus we are all ...
Seite 119
... Marcos ! " he despises Marcos for two reasons : Marcos has challenged the illusion of progress in Mexico ; and this , in turn , challenges Raúl's personal , patriarchal hegemony ( 73 ) . Todos somos Marcos presents a clash of two ...
... Marcos ! " he despises Marcos for two reasons : Marcos has challenged the illusion of progress in Mexico ; and this , in turn , challenges Raúl's personal , patriarchal hegemony ( 73 ) . Todos somos Marcos presents a clash of two ...
Inhalt
On the Digital and Allegorical Economy | 4 |
Colonial Ambivalence and | 25 |
World Music Does Not Exist | 44 |
Urheberrecht | |
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