Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 23Indiana University Press, 2001 |
Im Buch
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Seite 67
... production and recording facilities in the area offers proof of its reputation as a prime production site ( Shoer Roth 1A ; Cohen 54 ) . Further evi- dence of the industry dominance exercised by Gloria and Emilio Estefan's Crescent Moon ...
... production and recording facilities in the area offers proof of its reputation as a prime production site ( Shoer Roth 1A ; Cohen 54 ) . Further evi- dence of the industry dominance exercised by Gloria and Emilio Estefan's Crescent Moon ...
Seite 89
... production of rap and exposes contradictions , such as the redeemed status of rappers as contemporary griots ( inside ) that are simultaneously victims of intensified policing and social containment ( outside ) . In addition Rose argues ...
... production of rap and exposes contradictions , such as the redeemed status of rappers as contemporary griots ( inside ) that are simultaneously victims of intensified policing and social containment ( outside ) . In addition Rose argues ...
Seite 160
... production , low grade film ) for many years ( 158 ) . The second half of Pilcher's study analyzes the historical ... productions in their mutual conflict . As a consequence , the Mexican film industry failed to de- velop sound artistic ...
... production , low grade film ) for many years ( 158 ) . The second half of Pilcher's study analyzes the historical ... productions in their mutual conflict . As a consequence , the Mexican film industry failed to de- velop sound artistic ...
Inhalt
On the Digital and Allegorical Economy | 4 |
Colonial Ambivalence and | 25 |
World Music Does Not Exist | 44 |
Urheberrecht | |
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