The Woman's Part: Feminist Criticism of ShakespeareCarolyn Ruth Swift Lenz, Gayle Greene, Carol Thomas Neely University of Illinois Press, 1980 - 348 Seiten |
Im Buch
Ergebnisse 1-5 von 36
Seite 4
... They notice how Desdemona , Emilia , and Bianca significantly shape the plot , themes , conflicts , and movement of Othello . They show that characters such as Desdemona , Lady Macbeth , and Cressida are hardly the 4 THE WOMAN'S PART.
... They notice how Desdemona , Emilia , and Bianca significantly shape the plot , themes , conflicts , and movement of Othello . They show that characters such as Desdemona , Lady Macbeth , and Cressida are hardly the 4 THE WOMAN'S PART.
Seite 5
... Emilia's pivotal willow scene ; Mor- gan's and Garrick's eighteenth - century adaptations of The Win- ter's Tale truncated women's parts more drastically by eliminat- ing the play's first three acts and with them the powerful roles of ...
... Emilia's pivotal willow scene ; Mor- gan's and Garrick's eighteenth - century adaptations of The Win- ter's Tale truncated women's parts more drastically by eliminat- ing the play's first three acts and with them the powerful roles of ...
Seite 24
Der Inhalt dieser Seite ist beschränkt..
Der Inhalt dieser Seite ist beschränkt..
Seite 102
Der Inhalt dieser Seite ist beschränkt..
Der Inhalt dieser Seite ist beschränkt..
Seite 118
Der Inhalt dieser Seite ist beschränkt..
Der Inhalt dieser Seite ist beschränkt..
Inhalt
Female Sexuality as Power in Shakespeares Plays | 17 |
The Roles of Women in Richard III | 35 |
Shakespeare and the Soil of Rape | 56 |
Comic Structure and the Humanizing of Kate in The Taming of the Shrew | 65 |
Much Ado and the Distrust of Women | 79 |
How a Girl Can Be Smart and Still Popular | 100 |
Intimate Conversations between Women in Shakespeares Plays | 117 |
A kind of self | 133 |
What should such a fool Do with so good a woman? | 211 |
Infirm of purpose | 240 |
Shakespeares Female Characters as Actors and Audience | 256 |
A Penchant for Perdita on the Eighteenth Century English Stage | 271 |
Sexism and Racism in Shakespeares Tempest | 285 |
Shakespeares Imperiled and Chastening Daughters of Romance | 295 |
A Selective Bibliography | 314 |
Contributors | 337 |
Shakespeares Tragic Paradigms | 150 |
Coming of Age in Verona | 171 |
The Dilemma of Shakespeares Gertrude | 194 |
Andere Ausgaben - Alle anzeigen
The Woman's Part: Feminist Criticism of Shakespeare Carolyn Ruth Swift Lenz,Gayle Greene,Carol Thomas Neely Eingeschränkte Leseprobe - 1980 |
Häufige Begriffe und Wortgruppen
accept action actor appears attempt audience becomes calls characters Claudio Cleopatra comedies concern Cressida critics daughter death Desdemona desire disguise Elizabeth Elizabethan Emilia essay example express father fear feelings female feminine feminist feud final force Gertrude give Hamlet hand Hero heroines human husband Iago identity imagination Juliet kill kind King Lady Macbeth Lear less lines live London lovers male marriage masculine means mother murder nature never Othello patriarchal person play play's position present queen questions rape reason reference relation relationship response reveals Richard role romances Romeo Rosalind says scene seems sense sexual Shake Shakespeare shows Shrew social society speak speech stage structure Studies suggests thou tion tragedies tragic turn University University Press values wife woman women York young