The Woman's Part: Feminist Criticism of ShakespeareCarolyn Ruth Swift Lenz, Gayle Greene, Carol Thomas Neely University of Illinois Press, 1980 - 348 Seiten |
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Seite 10
... identity in authors , texts , and readers alike by isolating and val- orizing the text ; by underestimating the subjective perspective of the individual reader and the importance of the social and histor- ical context ; and by ...
... identity in authors , texts , and readers alike by isolating and val- orizing the text ; by underestimating the subjective perspective of the individual reader and the importance of the social and histor- ical context ; and by ...
Seite 12
... identity , and suggests how male disguise can both impede and facilitate the expression of this identity . The second use , by a man in a late romance , rever- berates through the most extreme statement of misogyny in the Shakespearean ...
... identity , and suggests how male disguise can both impede and facilitate the expression of this identity . The second use , by a man in a late romance , rever- berates through the most extreme statement of misogyny in the Shakespearean ...
Seite 13
... identity is bound up with attitudes toward and relations with women . In The Two Gentlemen of Verona , Julia , disguised as a page , invents for her rival , Silvia ( now pursued by Julia's fiancé , Proteus ) , a story that describes her ...
... identity is bound up with attitudes toward and relations with women . In The Two Gentlemen of Verona , Julia , disguised as a page , invents for her rival , Silvia ( now pursued by Julia's fiancé , Proteus ) , a story that describes her ...
Seite 19
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Inhalt
Female Sexuality as Power in Shakespeares Plays | 17 |
The Roles of Women in Richard III | 35 |
Shakespeare and the Soil of Rape | 56 |
Comic Structure and the Humanizing of Kate in The Taming of the Shrew | 65 |
Much Ado and the Distrust of Women | 79 |
How a Girl Can Be Smart and Still Popular | 100 |
Intimate Conversations between Women in Shakespeares Plays | 117 |
A kind of self | 133 |
What should such a fool Do with so good a woman? | 211 |
Infirm of purpose | 240 |
Shakespeares Female Characters as Actors and Audience | 256 |
A Penchant for Perdita on the Eighteenth Century English Stage | 271 |
Sexism and Racism in Shakespeares Tempest | 285 |
Shakespeares Imperiled and Chastening Daughters of Romance | 295 |
A Selective Bibliography | 314 |
Contributors | 337 |
Shakespeares Tragic Paradigms | 150 |
Coming of Age in Verona | 171 |
The Dilemma of Shakespeares Gertrude | 194 |
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The Woman's Part: Feminist Criticism of Shakespeare Carolyn Ruth Swift Lenz,Gayle Greene,Carol Thomas Neely Eingeschränkte Leseprobe - 1980 |
Häufige Begriffe und Wortgruppen
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