The Woman's Part: Feminist Criticism of ShakespeareCarolyn Ruth Swift Lenz, Gayle Greene, Carol Thomas Neely University of Illinois Press, 1980 - 348 Seiten |
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... position was in obvious ways more restricted and less disputed than in our own . Acknowledging this , feminist critics also recognize that the greatest artists do not necessarily dupli- cate in their art the orthodoxies of their culture ...
... position was in obvious ways more restricted and less disputed than in our own . Acknowledging this , feminist critics also recognize that the greatest artists do not necessarily dupli- cate in their art the orthodoxies of their culture ...
Seite 6
... position of audience to male acting . Good women are often powerless , and powerful women are always threatening and often , in fact , de- structive . And , as has been noted , the women in the tragedies al- most invariably are ...
... position of audience to male acting . Good women are often powerless , and powerful women are always threatening and often , in fact , de- structive . And , as has been noted , the women in the tragedies al- most invariably are ...
Seite 7
... position of the sexes in the period ; a historical critic , Juliet Dusinberre , looks at the drama in relation to the pre- scriptive literature . Such writers agree that women's position and attitudes toward it were changing in the ...
... position of the sexes in the period ; a historical critic , Juliet Dusinberre , looks at the drama in relation to the pre- scriptive literature . Such writers agree that women's position and attitudes toward it were changing in the ...
Seite 8
... position of women or on attitudes toward them . " They argue that in the Re- naissance , as in other progressive periods , women actually suf- fered a loss in status relative to men - that , for example , the humanist commitment to ...
... position of women or on attitudes toward them . " They argue that in the Re- naissance , as in other progressive periods , women actually suf- fered a loss in status relative to men - that , for example , the humanist commitment to ...
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Inhalt
Female Sexuality as Power in Shakespeares Plays | 17 |
The Roles of Women in Richard III | 35 |
Shakespeare and the Soil of Rape | 56 |
Comic Structure and the Humanizing of Kate in The Taming of the Shrew | 65 |
Much Ado and the Distrust of Women | 79 |
How a Girl Can Be Smart and Still Popular | 100 |
Intimate Conversations between Women in Shakespeares Plays | 117 |
A kind of self | 133 |
What should such a fool Do with so good a woman? | 211 |
Infirm of purpose | 240 |
Shakespeares Female Characters as Actors and Audience | 256 |
A Penchant for Perdita on the Eighteenth Century English Stage | 271 |
Sexism and Racism in Shakespeares Tempest | 285 |
Shakespeares Imperiled and Chastening Daughters of Romance | 295 |
A Selective Bibliography | 314 |
Contributors | 337 |
Shakespeares Tragic Paradigms | 150 |
Coming of Age in Verona | 171 |
The Dilemma of Shakespeares Gertrude | 194 |
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The Woman's Part: Feminist Criticism of Shakespeare Carolyn Ruth Swift Lenz,Gayle Greene,Carol Thomas Neely Eingeschränkte Leseprobe - 1980 |
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