The Woman's Part: Feminist Criticism of ShakespeareCarolyn Ruth Swift Lenz, Gayle Greene, Carol Thomas Neely University of Illinois Press, 1980 - 348 Seiten |
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... responses . Feminist scholars , working independently of one another , were addressing such questions , but only a few - Germaine Greer , Clara Claiborne Park , and Phyllis Rackin , for example- had done so in published essays . The ...
... responses . Feminist scholars , working independently of one another , were addressing such questions , but only a few - Germaine Greer , Clara Claiborne Park , and Phyllis Rackin , for example- had done so in published essays . The ...
Seite 3
... responses to Shakespeare even when they raise questions that challenge pre- vailing critical assumptions . Conclusions derived from these questions are then tested rigorously against the text , its myriad contexts , and the explorations ...
... responses to Shakespeare even when they raise questions that challenge pre- vailing critical assumptions . Conclusions derived from these questions are then tested rigorously against the text , its myriad contexts , and the explorations ...
Seite 10
... responses of individual readers to texts that are themselves richly unstable ; the interaction between text and reader , ego and world , individual and institution , the psychosexual dynamics that lie be- neath literature , criticism ...
... responses of individual readers to texts that are themselves richly unstable ; the interaction between text and reader , ego and world , individual and institution , the psychosexual dynamics that lie be- neath literature , criticism ...
Seite 13
... response from her onstage and offstage audience . JULIA . at Pentecost , When all our pageants of delight were played , Our youth got me to play the woman's part , And I was trimmed in Madam Julia's gown , Which served me as fit , by ...
... response from her onstage and offstage audience . JULIA . at Pentecost , When all our pageants of delight were played , Our youth got me to play the woman's part , And I was trimmed in Madam Julia's gown , Which served me as fit , by ...
Seite 14
... response , Posthumus affirms a new , but perhaps still limited con- ception of the generative part she plays for him and within him : " Hang there like fruit , my soul , / Till the tree die ! " ( v.v.261-64 ) . Similarly , feminist ...
... response , Posthumus affirms a new , but perhaps still limited con- ception of the generative part she plays for him and within him : " Hang there like fruit , my soul , / Till the tree die ! " ( v.v.261-64 ) . Similarly , feminist ...
Inhalt
Female Sexuality as Power in Shakespeares Plays | 17 |
The Roles of Women in Richard III | 35 |
Shakespeare and the Soil of Rape | 56 |
Comic Structure and the Humanizing of Kate in The Taming of the Shrew | 65 |
Much Ado and the Distrust of Women | 79 |
How a Girl Can Be Smart and Still Popular | 100 |
Intimate Conversations between Women in Shakespeares Plays | 117 |
A kind of self | 133 |
What should such a fool Do with so good a woman? | 211 |
Infirm of purpose | 240 |
Shakespeares Female Characters as Actors and Audience | 256 |
A Penchant for Perdita on the Eighteenth Century English Stage | 271 |
Sexism and Racism in Shakespeares Tempest | 285 |
Shakespeares Imperiled and Chastening Daughters of Romance | 295 |
A Selective Bibliography | 314 |
Contributors | 337 |
Shakespeares Tragic Paradigms | 150 |
Coming of Age in Verona | 171 |
The Dilemma of Shakespeares Gertrude | 194 |
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The Woman's Part: Feminist Criticism of Shakespeare Carolyn Ruth Swift Lenz,Gayle Greene,Carol Thomas Neely Eingeschränkte Leseprobe - 1980 |
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