The Woman's Part: Feminist Criticism of ShakespeareCarolyn Ruth Swift Lenz, Gayle Greene, Carol Thomas Neely University of Illinois Press, 1980 - 348 Seiten |
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... women in the comedies disappear from the tragedies ? The tradi- tional answers - that the author was bound by his ... women's movement was creating a new perspective on literature ; yet at professional meet- ings , Shakespeareans were ...
... women in the comedies disappear from the tragedies ? The tradi- tional answers - that the author was bound by his ... women's movement was creating a new perspective on literature ; yet at professional meet- ings , Shakespeareans were ...
Seite 3
... woman's part in literature . But it is not only and not always feminocentric , for it examines both men and women and the social structures that shape them . Such criticism may be written by men ; female critics , even when focusing on ...
... woman's part in literature . But it is not only and not always feminocentric , for it examines both men and women and the social structures that shape them . Such criticism may be written by men ; female critics , even when focusing on ...
Seite 4
... women's subordination and margin- ality , sex - role stereotyping , female bonding , and patriarchal struc- tures by ... Women , Kate Millett's Sexual Politics , Carolyn G. Heilbrun's Toward a Recognition of An- drogyny , Ellen Moers's ...
... women's subordination and margin- ality , sex - role stereotyping , female bonding , and patriarchal struc- tures by ... Women , Kate Millett's Sexual Politics , Carolyn G. Heilbrun's Toward a Recognition of An- drogyny , Ellen Moers's ...
Seite 5
... women's parts more drastically by eliminat- ing the play's first three acts and with them the powerful roles of Hermione and Paulina . Restoring women to the plays , feminist critics call atten- tion to the importance and intensity of ...
... women's parts more drastically by eliminat- ing the play's first three acts and with them the powerful roles of Hermione and Paulina . Restoring women to the plays , feminist critics call atten- tion to the importance and intensity of ...
Seite 6
... women , whether resistant or acquiescent , die . Although women may strive to resist or to correct the perversions of patri- archy , they do not succeed in altering that order nor do they with- draw their allegiance from it . Cordelia ...
... women , whether resistant or acquiescent , die . Although women may strive to resist or to correct the perversions of patri- archy , they do not succeed in altering that order nor do they with- draw their allegiance from it . Cordelia ...
Inhalt
Female Sexuality as Power in Shakespeares Plays | 17 |
The Roles of Women in Richard III | 35 |
Shakespeare and the Soil of Rape | 56 |
Comic Structure and the Humanizing of Kate in The Taming of the Shrew | 65 |
Much Ado and the Distrust of Women | 79 |
How a Girl Can Be Smart and Still Popular | 100 |
Intimate Conversations between Women in Shakespeares Plays | 117 |
A kind of self | 133 |
What should such a fool Do with so good a woman? | 211 |
Infirm of purpose | 240 |
Shakespeares Female Characters as Actors and Audience | 256 |
A Penchant for Perdita on the Eighteenth Century English Stage | 271 |
Sexism and Racism in Shakespeares Tempest | 285 |
Shakespeares Imperiled and Chastening Daughters of Romance | 295 |
A Selective Bibliography | 314 |
Contributors | 337 |
Shakespeares Tragic Paradigms | 150 |
Coming of Age in Verona | 171 |
The Dilemma of Shakespeares Gertrude | 194 |
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The Woman's Part: Feminist Criticism of Shakespeare Carolyn Ruth Swift Lenz,Gayle Greene,Carol Thomas Neely Eingeschränkte Leseprobe - 1980 |
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