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abstraction animal arcade arches architect architecture arrangement bas-reliefs beauty become believe building campanile capital carve cathedral cathedral of Pisa central character church color columns condition considered cornice dark deception decoration delight depends Doge's palace effect endeavor expression exquisite feeling flamboyant front Giotto Gothic Gothic architecture grace Greek ground height honor human imitation instance invention kind labor laws leafage less light lines look lower Lucca marble marble church mark masonry masses material mean mind mouldings natural necessary necessity never niches noble observe ornament painter painting palace Palazzo Foscari Palazzo Vecchio pediment perfect perhaps picturesque pillars pinnacles Plate pleasure present principle proportion quatrefoil reader respecting Romanesque roof Rouen Rouen Cathedral rude sacrifice sake sculpture seen sense shade shadow shafts spandril stone style sublimity surface things thought tion tower tracery true truth ugly Venice vertical wall whole
Seite 63 - And the city lieth foursquare, and the length is as large as the breadth : and he measured the city with the reed, twelve thousand furlongs. The length and the breadth and the height of it are equal.
Seite 11 - And the king said unto Araunah, Nay; but I will surely buy it of thee at a price : neither will I offer burnt offerings unto the LORD my God of that which doth cost me nothing.
Seite 163 - Watch an old building with an anxious care; guard it as best you may, and at any cost, from every influence of dilapidation. Count its stones as you would jewels of a crown ; set watches about it as if at the gates of a besieged city ; bind it together with iron where it loosens ; stay it with timber where it declines ; do not care about the unsightliness of the aid : better a crutch than a lost limb ; and do this tenderly, and reverently, and continually, and many a generation •will still be born...
Seite 148 - Babel builders was well directed for this world : there are but two strong conquerors of the forgetfulness of men, Poetry and Architecture ; and the latter in some sort includes the former, and is mightier in its reality ; it is well to have, not only what men have thought and felt, but what their hands have handled, and their strength wrought, and their eyes beheld, all the days of their life.
Seite 177 - ... course of what might otherwise have been importunate persuasion, as the thought has crossed me, how soon all Architecture may be vain, except that which is not made with hands. There is something ominous in the light which has enabled us to look back with disdain upon the ages among whose lovely vestiges we have been wandering. I could smile when I hear the hopeful exultation of many, at the new reach of worldly science, and vigor of worldly effort; as if we were again at the beginning of days....
Seite 147 - Marie, the dark vertical clefts in the limestone choked up with them as with heavy snow, and touched with ivy on the edges — ivy as light and lovely as the vine ; and, ever and anon, a blue gush of violets, and cowslip bells in sunny places ; and in the more open ground, the vetch, and comfrey, and mezereon, and the small sapphire buds of the Polygala Alpina, and the wild strawberry, just a blossom or two all showered amidst the golden softness of deep, warm, amber-coloured moss.
Seite 26 - ... the only witnesses, perhaps, that remain to us of the faith and fear of nations. All else for which the builders sacrificed, has passed away — all their living interests, and aims, and achievements. We know not for what they laboured, and we see no evidence of their reward. Victory, wealth, authority, happiness — all have departed, though bought by many a bitter sacrifice.
Seite 122 - Beauty above her towers of watch and war. Remember all that he became ; count the sacred thoughts with which he filled the heart of Italy ; ask those who followed him what they learned at his feet ; and when you have numbered his labours and received their testimony, if it seem to you that God had verily poured out upon this His servant no common nor restrained portion of His Spirit, and that he was indeed a King among the children of men, remember also that the legend upon his crown was that of...
Seite 5 - God by asking His guidance of it, or insult Him by taking it into our own hands ; and what is true of the Deity is equally true of His Revelation. We use it most reverently when most habitually : our insolence is in ever acting without reference to it, our true honouring of it is in its universal application.