Shakespeare: the Comedies: A Collection of Critical EssaysKenneth Muir Prentice-Hall, 1965 - 183 Seiten From the Back Cover: Despite differences between Shakespeare's time and ours in language, in taste, in mores, his comedies still produce that sure sign of success-uninhibited laughter. But, as the critics in this volume ably contend, the world of Shakespearean comedy is made of more than make-believe, quick action, and brilliant repartee. Shakespeare's genius was to probe, delicately but deeply, subtle and enduring characteristics of humanity. Each play is set in a land of its own, yet through these lands move characters recognizable in our own world. The reality of these characters is only enhanced by ethereal creatures of the imagination like Puck and Ariel, who weave about them poetic merriment unsurpassed in comic literature. Among the essays in this volume are: As You Like It / Helen Gardener -- Winter's Tale / Derek Traversi -- Helena / G. Wilson Knight -- Shakespeare's Method: The Merchant of Venice / J. Middleton Murry. |
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Seite 74
... called Gl'Inganni ( or The Mistakes ) . There were at least two plays of this title that Shakespeare might have used , and in one of them the heroine , on disguising herself as a page , assumed the name Cesare , which may well be why ...
... called Gl'Inganni ( or The Mistakes ) . There were at least two plays of this title that Shakespeare might have used , and in one of them the heroine , on disguising herself as a page , assumed the name Cesare , which may well be why ...
Seite 97
... called to that utter renunciation which is the life of the " poor Clare . " Whether she remains in the Convent or no , one who is contemplating such a life can no more be expected to sell herself into mortal sin , than a good soldier ...
... called to that utter renunciation which is the life of the " poor Clare . " Whether she remains in the Convent or no , one who is contemplating such a life can no more be expected to sell herself into mortal sin , than a good soldier ...
Seite 104
... called , as it often is called , un - Christian , when we observe how Lear and Othello , Cordelia and Desdemona rise " superior to the world in which they appear . ' " 27 The last word on this has been said by that wise critic , A. C. ...
... called , as it often is called , un - Christian , when we observe how Lear and Othello , Cordelia and Desdemona rise " superior to the world in which they appear . ' " 27 The last word on this has been said by that wise critic , A. C. ...
Inhalt
INTRODUCTIONKenneth Muir | 1 |
THEMES AND STRUCTURE IN THE COMEDY OF ERRORS | 11 |
A MIDSUMMERNIGHTS DREAMErnest Schanzer | 26 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Adriana Ægeon All's Angelo Antipholus Antonio appears audience Benedick and Beatrice Bertram brother called characters Christian Claudio Comedy of Errors comic contrast Countess critics death disguised Dover Wilson dramatic Dromio Duke Duke's E. K. Chambers E. M. W. Tillyard Elizabethan English essay fairies feeling Florizel fool forgiveness Gentlemen of Verona gives grace happiness hath Heaven Helena Hero honor human husband imagination Isabel Isabella Jaques King Lafeu Love's Labour's Lost lovers Lucio Malvolio Mariana marriage Measure for Measure Menaechmi Merchant of Venice Midsummer-Night's Dream mind mistress moral nature nobility Olivia Orsino Parolles passion pastoral Perdita play play's plot poetic Polixenes Prospero romance Rosalind says scene seems sense Shakespeare Shakespearian Shylock situation Sonnets soul speak speare's speech story suggest Tempest theme things thou tragedy true Twelfth Night Viola virtue wife Wilson Wilson Knight Winter's Tale woman words