Shakespeare: the Comedies: A Collection of Critical EssaysKenneth Muir Prentice-Hall, 1965 - 183 Seiten From the Back Cover: Despite differences between Shakespeare's time and ours in language, in taste, in mores, his comedies still produce that sure sign of success-uninhibited laughter. But, as the critics in this volume ably contend, the world of Shakespearean comedy is made of more than make-believe, quick action, and brilliant repartee. Shakespeare's genius was to probe, delicately but deeply, subtle and enduring characteristics of humanity. Each play is set in a land of its own, yet through these lands move characters recognizable in our own world. The reality of these characters is only enhanced by ethereal creatures of the imagination like Puck and Ariel, who weave about them poetic merriment unsurpassed in comic literature. Among the essays in this volume are: As You Like It / Helen Gardener -- Winter's Tale / Derek Traversi -- Helena / G. Wilson Knight -- Shakespeare's Method: The Merchant of Venice / J. Middleton Murry. |
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Seite 12
... effect , he is building up several ( perhaps widely separated ) parts of his play at once . This can be of great value in what I will call the harmonic structure : the structure which by parallel , contrast , or cross - reference ...
... effect , he is building up several ( perhaps widely separated ) parts of his play at once . This can be of great value in what I will call the harmonic structure : the structure which by parallel , contrast , or cross - reference ...
Seite 111
... effect . We should note first of all that Measure for Measure is not free from those incidental contradictions of statement that are to be found in almost all of Shakespeare's plays . Dover Wilson has observed gross inconsistency in the ...
... effect . We should note first of all that Measure for Measure is not free from those incidental contradictions of statement that are to be found in almost all of Shakespeare's plays . Dover Wilson has observed gross inconsistency in the ...
Seite 162
... effect of the double " so " in the fourth line , the first bringing the movement of the speech to its height and the second deliberately leading from that height , whilst a third " so " in the next line binds the central idea to those ...
... effect of the double " so " in the fourth line , the first bringing the movement of the speech to its height and the second deliberately leading from that height , whilst a third " so " in the next line binds the central idea to those ...
Inhalt
INTRODUCTIONKenneth Muir | 1 |
THEMES AND STRUCTURE IN THE COMEDY OF ERRORS | 11 |
A MIDSUMMERNIGHTS DREAMErnest Schanzer | 26 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Adriana Ægeon All's Angelo Antipholus Antonio appears audience Benedick and Beatrice Bertram brother called characters Christian Claudio Comedy of Errors comic contrast Countess critics death disguised Dover Wilson dramatic Dromio Duke Duke's E. K. Chambers E. M. W. Tillyard Elizabethan English essay fairies feeling Florizel fool forgiveness Gentlemen of Verona gives grace happiness hath Heaven Helena Hero honor human husband imagination Isabel Isabella Jaques King Lafeu Love's Labour's Lost lovers Lucio Malvolio Mariana marriage Measure for Measure Menaechmi Merchant of Venice Midsummer-Night's Dream mind mistress moral nature nobility Olivia Orsino Parolles passion pastoral Perdita play play's plot poetic Polixenes Prospero romance Rosalind says scene seems sense Shakespeare Shakespearian Shylock situation Sonnets soul speak speare's speech story suggest Tempest theme things thou tragedy true Twelfth Night Viola virtue wife Wilson Wilson Knight Winter's Tale woman words