Shakespeare: the Comedies: A Collection of Critical EssaysKenneth Muir Prentice-Hall, 1965 - 183 Seiten From the Back Cover: Despite differences between Shakespeare's time and ours in language, in taste, in mores, his comedies still produce that sure sign of success-uninhibited laughter. But, as the critics in this volume ably contend, the world of Shakespearean comedy is made of more than make-believe, quick action, and brilliant repartee. Shakespeare's genius was to probe, delicately but deeply, subtle and enduring characteristics of humanity. Each play is set in a land of its own, yet through these lands move characters recognizable in our own world. The reality of these characters is only enhanced by ethereal creatures of the imagination like Puck and Ariel, who weave about them poetic merriment unsurpassed in comic literature. Among the essays in this volume are: As You Like It / Helen Gardener -- Winter's Tale / Derek Traversi -- Helena / G. Wilson Knight -- Shakespeare's Method: The Merchant of Venice / J. Middleton Murry. |
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... scene downwards , is already sure , and indeed within its conventions brilliant . These units include the scene , a new one beginning whenever the stage is clear ; the sub - scene , or scène as understood in French drama , a new one ...
... scene downwards , is already sure , and indeed within its conventions brilliant . These units include the scene , a new one beginning whenever the stage is clear ; the sub - scene , or scène as understood in French drama , a new one ...
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A Collection of Critical Essays Kenneth Muir. Act I , scene ii will serve , the better as it is not exceptionally highly wrought . Yet even a scene so expository ( being the first of the main action ) is not allowed to lack the immediate ...
A Collection of Critical Essays Kenneth Muir. Act I , scene ii will serve , the better as it is not exceptionally highly wrought . Yet even a scene so expository ( being the first of the main action ) is not allowed to lack the immediate ...
Seite 13
... scène . It is Shakespeare's cue for under- lining the promise of comedy : the note of tension at the start has now ... scene . It is flanked , in the ABA form so frequent in Shakespeare , by Antiph- olus's soliloquies , which are the ...
... scène . It is Shakespeare's cue for under- lining the promise of comedy : the note of tension at the start has now ... scene . It is flanked , in the ABA form so frequent in Shakespeare , by Antiph- olus's soliloquies , which are the ...
Inhalt
INTRODUCTIONKenneth Muir | 1 |
THEMES AND STRUCTURE IN THE COMEDY OF ERRORS | 11 |
A MIDSUMMERNIGHTS DREAMErnest Schanzer | 26 |
Urheberrecht | |
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action Adriana Ægeon All's Angelo Antipholus Antonio appears audience Benedick and Beatrice Bertram brother called characters Christian Claudio Comedy of Errors comic contrast Countess critics death disguised Dover Wilson dramatic Dromio Duke Duke's E. K. Chambers E. M. W. Tillyard Elizabethan English essay fairies feeling Florizel fool forgiveness Gentlemen of Verona gives grace happiness hath Heaven Helena Hero honor human husband imagination Isabel Isabella Jaques King Lafeu Love's Labour's Lost lovers Lucio Malvolio Mariana marriage Measure for Measure Menaechmi Merchant of Venice Midsummer-Night's Dream mind mistress moral nature nobility Olivia Orsino Parolles passion pastoral Perdita play play's plot poetic Polixenes Prospero romance Rosalind says scene seems sense Shakespeare Shakespearian Shylock situation Sonnets soul speak speare's speech story suggest Tempest theme things thou tragedy true Twelfth Night Viola virtue wife Wilson Wilson Knight Winter's Tale woman words