From Playhouse to Printing House: Drama and Authorship in Early Modern EnglandCambridge University Press, 14.12.2006 - 316 Seiten This original study examines how Shakespeare and his contemporaries made the difficult transition from writing plays for the theater to publishing them as literary works. Douglas Brooks analyzes how and why certain plays found their way into print while many others failed to do so and looks at the role played by the Renaissance book trade in shaping literary reputations. Incorporating many finely-observed typographical illustrations, this book focuses on plays by Shakespeare, Jonson, Webster, and Beaumont and Fletcher as well as reviewing the complicated publication history of Thomas Heywood's work. |
Inhalt
marketing printed drama | 14 |
Sir John Oldcastle | 66 |
the two Jonson folios | 104 |
dramatic | 140 |
Thomas Heywood and | 189 |
of the author | 221 |
Bibliography | 268 |
284 | |
Andere Ausgaben - Alle anzeigen
From Playhouse to Printing House: Drama and Authorship in Early Modern England Douglas A. Brooks Keine Leseprobe verfügbar - 2000 |
Häufige Begriffe und Wortgruppen
appeared asserts attribution audience author function authorial status Beaumont and Fletcher Ben Jonson Bentley Bibliography Blayney career collaborative authorship context copy cultural Daye Daye's decade Dekker dramatic authorship dramatic texts dramatist early modern England Elizabethan English entertainments extant Falstaff folio folio collection Gorboduc Greg haue Heminge and Condell Henry Henry IV Henslowe's Herford and Simpson Heywood Ibid individual James John Fletcher Jonson's folio Kastan King Lear literary London Lord Cobham manuscript Marston martyr masques Masten Moseley Moseley's notes observes Oldcastle's Oxford performance play-texts play's playhouse playing company playwrights playwriting poems Poets preface printed drama printer printing house production professional theatre publication published quarto edition Queen reader address Renaissance royal Sejanus Shakespeare Shakespeare's plays single author Sir John Oldcastle stage Stansby subsequent suggests t]he Taylor textual theatrical Thomas Heywood Thomas Norton title pages Tragedies typographic University Press Webster William William Rowley William Shakespeare writing written
Verweise auf dieses Buch
Illustrating the Past in Early Modern England: The Representation of History ... James A. Knapp Keine Leseprobe verfügbar - 2003 |
Pseudonymous Shakespeare: Rioting Language in the Sidney Circle Penny McCarthy Eingeschränkte Leseprobe - 2006 |