Love's labour's lostMacmillan, 1900 |
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Seite 2
... HOLOFERNES , a schoolmaster . DULL , a constable . COSTARD , a clown . MOTH , page to Armado . A Forester . The PRINCESS of France . ROSALINE , MARIA , KATHARINE , -ladies attending on the Princess . JAQUENETTA , a country wench . Lords ...
... HOLOFERNES , a schoolmaster . DULL , a constable . COSTARD , a clown . MOTH , page to Armado . A Forester . The PRINCESS of France . ROSALINE , MARIA , KATHARINE , -ladies attending on the Princess . JAQUENETTA , a country wench . Lords ...
Seite 8
... Holofernes has been gratuitously identi- fied with the distinguished Italian scholar and translator of Montaigne , Florio ; Mr. Fleay thinks he is the pamphleteer Cooper , and even sees in the whole group - Holofernes , Nathaniel , Dull ...
... Holofernes has been gratuitously identi- fied with the distinguished Italian scholar and translator of Montaigne , Florio ; Mr. Fleay thinks he is the pamphleteer Cooper , and even sees in the whole group - Holofernes , Nathaniel , Dull ...
Seite 9
... Holofernes and Armado are purely comic figures , commended to us by no single sympathetic touch , and sent off the stage sadder , but in no degree wiser than they entered it . Armado serves for the ' quick recreation ' of Navarre and ...
... Holofernes and Armado are purely comic figures , commended to us by no single sympathetic touch , and sent off the stage sadder , but in no degree wiser than they entered it . Armado serves for the ' quick recreation ' of Navarre and ...
Seite 10
... Holofernes ' Latinisms and Armado's fire - new terms , things wholly alien and apart ; they were symbols of a phase of culture and refinement through which he was himself passing , of which he recognised the limits , but had not ...
... Holofernes ' Latinisms and Armado's fire - new terms , things wholly alien and apart ; they were symbols of a phase of culture and refinement through which he was himself passing , of which he recognised the limits , but had not ...
Seite 54
... . [ Exit Costard , running . 140 150 138. upshoot , the deciding shot . 139. greasily , uncleanly . 150. nit , particle ( playing on Moth's name - mote ) . SCENE II . The same . Enter HOLOFERNES , SIR 54 Love's Labour's Lost ACT IV.
... . [ Exit Costard , running . 140 150 138. upshoot , the deciding shot . 139. greasily , uncleanly . 150. nit , particle ( playing on Moth's name - mote ) . SCENE II . The same . Enter HOLOFERNES , SIR 54 Love's Labour's Lost ACT IV.
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adieu allusion Aquitaine Armado beauty beseech Biron blood Boyet C. H. HERFORD colours Cost Costard court cuckoo dance dear doth Dull Dumain Euphuism Exeunt Exit face fair fair lady Fair lord fast favour fool forsworn gentle give goose grace hath hear heart heaven Hector Hercules Holofernes honour horn humour Jaquenetta Judas Kath Katharine King reads l'envoy lady letter light Long Longaville look loose lord LOVE'S LABOUR'S LOST lovers Maccabæus madam Maria master merry mirth mistress mock Monarcho Moth Nath Navarre Nine Worthies numbers o'er oath pardon perjured phrase pia mater play Pompey praise pricket Prin princess prove Qq and Ff rhyme Rosaline salve SCENE sense Shakespeare sings SIR NATHANIEL sonnet sore speak swain swear sweet sworn thee thine thrasonical thy love tongue true verses vizard vouchsafe wench word Worthies