A Critical History of English PoetryChatto & Windus, 1956 - 539 Seiten |
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Seite 197
... Nature and imitate the classics : First follow Nature , and your judgment frame By her just standard , which is still the same ; and our guides in thus following Nature are the classics . To them we owe the rules , Those rules of old ...
... Nature and imitate the classics : First follow Nature , and your judgment frame By her just standard , which is still the same ; and our guides in thus following Nature are the classics . To them we owe the rules , Those rules of old ...
Seite 213
... Nature inherent in the British people , which becomes always fully self - conscious as Nature is mastered and primitive fears dispelled . Nature was , of course , no new interest in English poetry . Even the Augustans had composed ...
... Nature inherent in the British people , which becomes always fully self - conscious as Nature is mastered and primitive fears dispelled . Nature was , of course , no new interest in English poetry . Even the Augustans had composed ...
Seite 289
... Nature , he must be educated according to his own nature . A child is not a little man : childhood is a definite stage in human life , with laws of its own , which the educator must discover and obey . With this simple maxim Rousseau ...
... Nature , he must be educated according to his own nature . A child is not a little man : childhood is a definite stage in human life , with laws of its own , which the educator must discover and obey . With this simple maxim Rousseau ...
Inhalt
Chapter | 3 |
ENGLISH POETRY FROM CHAUCER TO | 39 |
EARLY SCOTTISH POETRY | 50 |
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A Critical History of English Poetry Sir Herbert John Clifford Grierson Keine Leseprobe verfügbar - 2013 |
Häufige Begriffe und Wortgruppen
A. C. Swinburne A. H. Bullen allegory ballads beauty Blake blank verse Burns Byron called Camb century Chapter charm Chaucer Christian Coleridge comedy Cowper Crabbe death delight diction Donne drama dream Dryden E. K. Chambers early Elizabethan England English poetry epic Essay eyes Faerie Queene feeling French Greek heart Heaven human humour hymns imagination inspired interest John Johnson Keats King Lady language later lines live lover Lycidas metre Milton mind mood moral Nature never night odes Oxfd Oxford Paradise Paradise Lost passion pastoral Petrarch plays poems poet poet's poetic political Pope Pope's prose Queen religious rhyme romance satire scene Scots Scott Scottish sense Shakespeare Shelley Shelley's songs sonnets soul Spenser spirit stanza story style Swinburne Tennyson thee theme things Thomas thou thought tion tradition tragedy translation vols words Wordsworth write written wrote