A Critical History of English PoetryChatto & Windus, 1956 - 539 Seiten |
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Seite 164
... language " sunk under him " . Milton did invent a new diction for Paradise Lost , as Spenser did for The Faerie Queene , and for much the same reason : he felt that the language of serious poetry had been vulgarised by popular writers ...
... language " sunk under him " . Milton did invent a new diction for Paradise Lost , as Spenser did for The Faerie Queene , and for much the same reason : he felt that the language of serious poetry had been vulgarised by popular writers ...
Seite 192
... language . " • • However , Pope did learn some Latin , and his earliest experi- ments , apart from the Ode to ... language , and skill of metre , to exhibit a series of language and versification which had in English poetry no precedent ...
... language . " • • However , Pope did learn some Latin , and his earliest experi- ments , apart from the Ode to ... language , and skill of metre , to exhibit a series of language and versification which had in English poetry no precedent ...
Seite 380
... language and verse was at once to impress even his most sceptical readers and critics . But after he had got as far as the first apparition of Apollo , Keats seems to have realised that for the kind of conflict and development which he ...
... language and verse was at once to impress even his most sceptical readers and critics . But after he had got as far as the first apparition of Apollo , Keats seems to have realised that for the kind of conflict and development which he ...
Inhalt
Chapter | 3 |
ENGLISH POETRY FROM CHAUCER TO | 39 |
EARLY SCOTTISH POETRY | 50 |
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A Critical History of English Poetry Sir Herbert John Clifford Grierson Keine Leseprobe verfügbar - 2013 |
Häufige Begriffe und Wortgruppen
A. C. Swinburne A. H. Bullen allegory ballads beauty Blake blank verse Burns Byron called Camb century Chapter charm Chaucer Christian Coleridge comedy Cowper Crabbe death delight diction Donne drama dream Dryden E. K. Chambers early Elizabethan England English poetry epic Essay eyes Faerie Queene feeling French Greek heart Heaven human humour hymns imagination inspired interest John Johnson Keats King Lady language later lines live lover Lycidas metre Milton mind mood moral Nature never night odes Oxfd Oxford Paradise Paradise Lost passion pastoral Petrarch plays poems poet poet's poetic political Pope Pope's prose Queen religious rhyme romance satire scene Scots Scott Scottish sense Shakespeare Shelley Shelley's songs sonnets soul Spenser spirit stanza story style Swinburne Tennyson thee theme things Thomas thou thought tion tradition tragedy translation vols words Wordsworth write written wrote