The TempestNew American Library, 1964 - 224 Seiten |
Im Buch
Ergebnisse 1-3 von 13
Seite xiv
... theater had its own peculiarities , but perhaps we can talk about a “ typical ” Elizabethan theater if we realize that no theater need exactly have fit the description , just as no father is the typical father with 3.7 children . This ...
... theater had its own peculiarities , but perhaps we can talk about a “ typical ” Elizabethan theater if we realize that no theater need exactly have fit the description , just as no father is the typical father with 3.7 children . This ...
Seite xv
... theater , called the " private theater " because its much greater admission charge limited its audience to the wealthy or the prodigal , must be briefly mentioned . The private theater was basically a large room , entirely roofed and ...
... theater , called the " private theater " because its much greater admission charge limited its audience to the wealthy or the prodigal , must be briefly mentioned . The private theater was basically a large room , entirely roofed and ...
Seite xvi
William Shakespeare Robert Woodrow Langbaum. Shakespeare ) became joint operators of the theater , using it in the ... theaters may well have had intermissions during which music was played , but in the public theaters the action was ...
William Shakespeare Robert Woodrow Langbaum. Shakespeare ) became joint operators of the theater , using it in the ... theaters may well have had intermissions during which music was played , but in the public theaters the action was ...
Inhalt
PREFATORY REMARKS | vii |
INTRODUCTION | xxi |
The Tempest | 37 |
Urheberrecht | |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actors Adrian Alonso analogies Antonio Ariel Bermuda Boatswain brave brother Caliban called cell Ceres characters charm cloud comedy comic command creatures daughter devil Dido didst discase dost doth dramatic dream drowned drunken Duke of Milan dukedom E. M. W. TILLYARD earth Elizabethan Enter Ariel Exit expressed eyes father feel Ferdinand and Miranda Folio foul freedom give Gonzalo hast hath hear island isle Juno key metaphor King King of Naples lord magic masque master meaning metaphor metaphorical design mind Miranda monster Naples nature noise nymphs Oxford University Press Plautine play plot prithee Prospero punishment remember rich scene Sebastian sense Shake Shakespeare ship shore slave sleep song speak speech spirit stage direction Stephano storm strange Sycorax symbol tell Tempest theater thee thine thing thou art Thou shalt tion Trinculo Tunis William Shakespeare Winter's Tale wonder words York