The plays of William Shakspeare, accurately pr. from the text of mr. Steevens's last ed., with a selection of the most important notes [collected by J. Nichols]. |
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Seite 4
... Servants to Cornwall , Goneril , Regan , Cordelia , } Daughters to Lear . Knights attending on the King , Officers , Meffengers , Soldiers , and Attendants . SCENE , Britain , ACT I SCENE I. A Room of fate in King PERSONS REPRESENTED. ...
... Servants to Cornwall , Goneril , Regan , Cordelia , } Daughters to Lear . Knights attending on the King , Officers , Meffengers , Soldiers , and Attendants . SCENE , Britain , ACT I SCENE I. A Room of fate in King PERSONS REPRESENTED. ...
Seite 5
William Shakespeare John Nichols, George Steevens. ACT I SCENE I. A Room of fate in King Lear's Palace . Enter KENT , GLOSTER , and EDMUND . Kent . I thought , the king had more affected the duke of Albany , than Cornwall . Z ... SCENE I. ...
William Shakespeare John Nichols, George Steevens. ACT I SCENE I. A Room of fate in King Lear's Palace . Enter KENT , GLOSTER , and EDMUND . Kent . I thought , the king had more affected the duke of Albany , than Cornwall . Z ... SCENE I. ...
Seite 23
... scene furnished him with as good an opportunity as he could with . The perfons in the drama are all Pagans , fo that as , in compliance to custom , his good characters were not to speak ill of judicial aftrology , they could on account ...
... scene furnished him with as good an opportunity as he could with . The perfons in the drama are all Pagans , fo that as , in compliance to custom , his good characters were not to speak ill of judicial aftrology , they could on account ...
Seite 24
... scene make their entry inartificially , and juft when the poet wants them on the stage . WARNER • The commentators , not being musicians , have regarded this paffage perhaps as unintelligible nonfenfe , and therefore left it as they ...
... scene make their entry inartificially , and juft when the poet wants them on the stage . WARNER • The commentators , not being musicians , have regarded this paffage perhaps as unintelligible nonfenfe , and therefore left it as they ...
Seite 26
... SCENE III . A Room in the Duke of Albany's Palace . Enter GONERIL and STEWARD . [ Exit . Gon . Did my father ftrike my gentleman for chiding of his fool ? Stew . Ay , madam . Gon . By day and night ! he wrongs me ; every hour He flashes ...
... SCENE III . A Room in the Duke of Albany's Palace . Enter GONERIL and STEWARD . [ Exit . Gon . Did my father ftrike my gentleman for chiding of his fool ? Stew . Ay , madam . Gon . By day and night ! he wrongs me ; every hour He flashes ...
Häufige Begriffe und Wortgruppen
againſt ancient anſwer becauſe Benvolio Brabantio Caffio called Capulet caufe Cordelia Cyprus daughter death doft doth Emil Enter Exeunt Exit expreffion eyes faid fame father fatire fcene fecond feems feen fenfe fhall fhould fhow fignifies fince firft flain fleep folio fome fool foul fpeak fpeech fpirit ftand ftate ftill fuch fuppofe fure fweet fword give Hamlet hath heart heaven himſelf Iago itſelf JOHNSON Juliet Kent king lady Laer Laertes laft Lear lefs lord MALONE MASON means Mercutio moft moſt muft muſt night Nurfe obferved occafion Ophelia Othello paffage paffion perfon phrafe play poet Polonius prefent purpoſe quarto Queen reafon RITSON Romeo ſcene Shakspeare Shakspeare's ſhall ſhe ſpeak STEEVENS thee thefe theſe thofe thoſe thou Tybalt ufed uſed villain WARBURTON whofe word