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But dawn comes . And with the rising day comes the seaplane . The children are saved . Only one does not let himself be saved : that boy . He does not want to return to this cursed life . He is disgusted by it . He grew up and says no .
Taken as the imitation , not of history , but of legend , the Falstaff story makes better sense , and the rejection of Falstaff comes to seem , not improbable , but necessary . What Raglan is “ on to ” is a theory of narrative ...
“ The boss comes up to me and he says ... " The narrative formulas of talk introduce those one - man dialogues which are the pièces de resistance of every talking soloist . The nonstop talker puts words into many mouths , and the really ...
Was andere dazu sagen - Rezension schreiben
LibraryThing ReviewNutzerbericht - sholt2001 - LibraryThing
This is a fascinating read for those who wish to delve deeper into the specifics of German or Expressionist drama. It tells the life stories of two of the more prominent playwrights of the era, Ernst ... Vollständige Rezension lesen
Die Wandlung Transfiguration
Man versus Society
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