German Expressionist Drama: Ernst Toller and Georg KaiserMacmillan, 1984 - 179 Seiten |
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Seite 63
... critics of the Berlin production , directed by Emil Lind and Erwin Berger with Heinrich George as Hinkemann and ... critics alike , was generally negative ; one critic sums up the then prevalent attitude towards Expressionism in calling ...
... critics of the Berlin production , directed by Emil Lind and Erwin Berger with Heinrich George as Hinkemann and ... critics alike , was generally negative ; one critic sums up the then prevalent attitude towards Expressionism in calling ...
Seite 114
... critics disliked the ' furor teutonicus ' , the ' ecstasy ' and the shouting on stage . The 1922 production in New York at the Theatre Guild , however , was hailed . The English theatre critic and dramatist , Ashley Duke , who had seen ...
... critics disliked the ' furor teutonicus ' , the ' ecstasy ' and the shouting on stage . The 1922 production in New York at the Theatre Guild , however , was hailed . The English theatre critic and dramatist , Ashley Duke , who had seen ...
Seite 99
... critics . The first critic to make the point , and repeatedly , that Beckett's dialogue is not dramatic is Beckett himself — in that dialogue . For this " criticism " is inherent in the re- current joke of letting the conversation ...
... critics . The first critic to make the point , and repeatedly , that Beckett's dialogue is not dramatic is Beckett himself — in that dialogue . For this " criticism " is inherent in the re- current joke of letting the conversation ...
Inhalt
PLOT The Raw Material of Plot | 1 |
Art and Politics | 10 |
Birth and Crucifixion | 22 |
Urheberrecht | |
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German Expressionist Drama: Ernst Toller and Georg Kaiser Renate Benson Keine Leseprobe verfügbar - 1984 |
Häufige Begriffe und Wortgruppen
action actor Aristotle artist audience become Berlin Brecht Bürger von Calais called Cashier César Klein characters comedy comic critics death despair dialogue drama dramatist dream episodes emotional Erich Mühsam Ernst Toller Erwin Piscator Eustache de Saint-Pierre example experience Expressionism Expressionist drama farce fear feeling film final Friedrich Georg Kaiser gerettete Alkibiades Grete hermae hero Hinkemann Hoppla human Ibsen ideas Jimmy joke Jürgen Fehling Karl Thomas Karlheinz Martin kind Koralle leben literature live mankind Maschinenstürmer Masse Mensch melodrama Millionaire modern Molière morgens bis mitternachts Munich never Pastor Hall Pirandello Piscator pity play play's playwright plot political premiere prison production proletariat protagonist realistic reality rejects Revolution role scene sense Shakespeare Shaw Sokrates stage style suggests suicide tableau talk theme thing thought tion tragedy tragi-comedy tragic villain vision Volksbühne Waiting for Godot Wandlung wish Woman words workers Woyzeck write wrote