German Expressionist Drama: Ernst Toller and Georg KaiserMacmillan, 1984 - 179 Seiten |
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Seite 124
... death because his ' beckoning finger shows the way out ' ( F.P. 73 ) . Eustache de Saint - Pierre's death differs from that of the Cashier in that the latter accepts it matter - of- factly , whereas the death of Eustache has ecstatic ...
... death because his ' beckoning finger shows the way out ' ( F.P. 73 ) . Eustache de Saint - Pierre's death differs from that of the Cashier in that the latter accepts it matter - of- factly , whereas the death of Eustache has ecstatic ...
Seite 273
... death . I was saying in a previous chapter that death presented a problem in literature in that it is something neither the writer nor his audience has experienced . Death is nonexistence , and to speak of com- prehending nonexistence ...
... death . I was saying in a previous chapter that death presented a problem in literature in that it is something neither the writer nor his audience has experienced . Death is nonexistence , and to speak of com- prehending nonexistence ...
Seite 275
... death seriously . It is the habit of some forms of Oriental mysticism to make nothing of death and hence very little of life . Life is just a bridge to eternity , death the gateway at the other side of the bridge . The word Christi ...
... death seriously . It is the habit of some forms of Oriental mysticism to make nothing of death and hence very little of life . Life is just a bridge to eternity , death the gateway at the other side of the bridge . The word Christi ...
Inhalt
PLOT The Raw Material of Plot | 1 |
Art and Politics | 10 |
Birth and Crucifixion | 22 |
Urheberrecht | |
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German Expressionist Drama: Ernst Toller and Georg Kaiser Renate Benson Keine Leseprobe verfügbar - 1984 |
Häufige Begriffe und Wortgruppen
action actor Aristotle artist audience become Berlin Brecht Bürger von Calais called Cashier César Klein characters comedy comic critics death despair dialogue drama dramatist dream episodes emotional Erich Mühsam Ernst Toller Erwin Piscator Eustache de Saint-Pierre example experience Expressionism Expressionist drama farce fear feeling film final Friedrich Georg Kaiser gerettete Alkibiades Grete hermae hero Hinkemann Hoppla human Ibsen ideas Jimmy joke Jürgen Fehling Karl Thomas Karlheinz Martin kind Koralle leben literature live mankind Maschinenstürmer Masse Mensch melodrama Millionaire modern Molière morgens bis mitternachts Munich never Pastor Hall Pirandello Piscator pity play play's playwright plot political premiere prison production proletariat protagonist realistic reality rejects Revolution role scene sense Shakespeare Shaw Sokrates stage style suggests suicide tableau talk theme thing thought tion tragedy tragi-comedy tragic villain vision Volksbühne Waiting for Godot Wandlung wish Woman words workers Woyzeck write wrote