German Expressionist Drama: Ernst Toller and Georg KaiserMacmillan, 1984 - 179 Seiten |
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Seite 78
... dialogue cannot be found either in " style " or " eloquence , " for these it has in common with all other literature . What sets dialogue off from the rest of literature is precisely dialogue , as opposed to monologue , verbal ...
... dialogue cannot be found either in " style " or " eloquence , " for these it has in common with all other literature . What sets dialogue off from the rest of literature is precisely dialogue , as opposed to monologue , verbal ...
Seite 93
... dialogue is homey , and says : " Please note how close our playwright has stayed to the ordinary conversation of ordinary people . " The rationale could be called democratic : " This is your theatre . " Rhe- torical dialogue , in prose ...
... dialogue is homey , and says : " Please note how close our playwright has stayed to the ordinary conversation of ordinary people . " The rationale could be called democratic : " This is your theatre . " Rhe- torical dialogue , in prose ...
Seite 99
... dialogue is not dramatic is Beckett himself — in that dialogue . For this " criticism " is inherent in the re- current joke of letting the conversation simply dry up and having one character tell the other to say something . In this ...
... dialogue is not dramatic is Beckett himself — in that dialogue . For this " criticism " is inherent in the re- current joke of letting the conversation simply dry up and having one character tell the other to say something . In this ...
Inhalt
PLOT The Raw Material of Plot | 1 |
Art and Politics | 10 |
Birth and Crucifixion | 22 |
Urheberrecht | |
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German Expressionist Drama: Ernst Toller and Georg Kaiser Renate Benson Keine Leseprobe verfügbar - 1984 |
Häufige Begriffe und Wortgruppen
action actor Aristotle artist audience become Berlin Brecht Bürger von Calais called Cashier César Klein characters comedy comic critics death despair dialogue drama dramatist dream episodes emotional Erich Mühsam Ernst Toller Erwin Piscator Eustache de Saint-Pierre example experience Expressionism Expressionist drama farce fear feeling film final Friedrich Georg Kaiser gerettete Alkibiades Grete hermae hero Hinkemann Hoppla human Ibsen ideas Jimmy joke Jürgen Fehling Karl Thomas Karlheinz Martin kind Koralle leben literature live mankind Maschinenstürmer Masse Mensch melodrama Millionaire modern Molière morgens bis mitternachts Munich never Pastor Hall Pirandello Piscator pity play play's playwright plot political premiere prison production proletariat protagonist realistic reality rejects Revolution role scene sense Shakespeare Shaw Sokrates stage style suggests suicide tableau talk theme thing thought tion tragedy tragi-comedy tragic villain vision Volksbühne Waiting for Godot Wandlung wish Woman words workers Woyzeck write wrote