German Expressionist Drama: Ernst Toller and Georg KaiserMacmillan, 1984 - 179 Seiten |
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Ergebnisse 1-3 von 90
Seite 7
... drama is based on autobiographical events it belongs to the category of the Ich , or Bekenntnisdrama ( the I , or Confession drama ) . Sorge's Der Bettler follows Strindberg closely . The theme is the development of a youth ( Sorge ...
... drama is based on autobiographical events it belongs to the category of the Ich , or Bekenntnisdrama ( the I , or Confession drama ) . Sorge's Der Bettler follows Strindberg closely . The theme is the development of a youth ( Sorge ...
Seite 122
... drama , and great drama in which great , if implausible , ideas play a large part . THE GERMAN DRAMA THE MEDIEVAL and the Spanish drama have not given of- fense on a large scale : they have been ignored . The “ drama of ideas " that has ...
... drama , and great drama in which great , if implausible , ideas play a large part . THE GERMAN DRAMA THE MEDIEVAL and the Spanish drama have not given of- fense on a large scale : they have been ignored . The “ drama of ideas " that has ...
Seite 139
... drama contains rather less thought than other drama does . The tendency of any drama celebrating the dramatist's eagerness to ride the wave of the future is toward mindless acceptance in the mood of a madly cheering mob . If it is ...
... drama contains rather less thought than other drama does . The tendency of any drama celebrating the dramatist's eagerness to ride the wave of the future is toward mindless acceptance in the mood of a madly cheering mob . If it is ...
Inhalt
PLOT The Raw Material of Plot | 1 |
Art and Politics | 10 |
Birth and Crucifixion | 22 |
Urheberrecht | |
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German Expressionist Drama: Ernst Toller and Georg Kaiser Renate Benson Keine Leseprobe verfügbar - 1984 |
Häufige Begriffe und Wortgruppen
action actor Aristotle artist audience become Berlin Brecht Bürger von Calais called Cashier César Klein characters comedy comic critics death despair dialogue drama dramatist dream episodes emotional Erich Mühsam Ernst Toller Erwin Piscator Eustache de Saint-Pierre example experience Expressionism Expressionist drama farce fear feeling film final Friedrich Georg Kaiser gerettete Alkibiades Grete hermae hero Hinkemann Hoppla human Ibsen ideas Jimmy joke Jürgen Fehling Karl Thomas Karlheinz Martin kind Koralle leben literature live mankind Maschinenstürmer Masse Mensch melodrama Millionaire modern Molière morgens bis mitternachts Munich never Pastor Hall Pirandello Piscator pity play play's playwright plot political premiere prison production proletariat protagonist realistic reality rejects Revolution role scene sense Shakespeare Shaw Sokrates stage style suggests suicide tableau talk theme thing thought tion tragedy tragi-comedy tragic villain vision Volksbühne Waiting for Godot Wandlung wish Woman words workers Woyzeck write wrote