German Expressionist Drama: Ernst Toller and Georg KaiserMacmillan, 1984 - 179 Seiten |
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Seite 243
... farce offers is the interaction of violence and something else , it follows that violence by itself is not the essence of farce . The violence of Chaplin is dramatized by a context of great gentleness . The violence of Harpo Marx is ...
... farce offers is the interaction of violence and something else , it follows that violence by itself is not the essence of farce . The violence of Chaplin is dramatized by a context of great gentleness . The violence of Harpo Marx is ...
Seite 245
... farce . In both cases there is an acknowl- edgment of absurdity - and in both cases , a counterclaim to a kind of ... Farce differs from the other genres in that its use of coincidence is accepted . People have such a low opinion of ...
... farce . In both cases there is an acknowl- edgment of absurdity - and in both cases , a counterclaim to a kind of ... Farce differs from the other genres in that its use of coincidence is accepted . People have such a low opinion of ...
Seite 254
... farce and gave us what was in many ways a new kind of farce . But the flowering of an art form could never be mainly the result of a mechanical invention . It happened that the invention was made toward the end of an era of great farce ...
... farce and gave us what was in many ways a new kind of farce . But the flowering of an art form could never be mainly the result of a mechanical invention . It happened that the invention was made toward the end of an era of great farce ...
Inhalt
PLOT The Raw Material of Plot | 1 |
Art and Politics | 10 |
Birth and Crucifixion | 22 |
Urheberrecht | |
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German Expressionist Drama: Ernst Toller and Georg Kaiser Renate Benson Keine Leseprobe verfügbar - 1984 |
Häufige Begriffe und Wortgruppen
action actor Aristotle artist audience become Berlin Brecht Bürger von Calais called Cashier César Klein characters comedy comic critics death despair dialogue drama dramatist dream episodes emotional Erich Mühsam Ernst Toller Erwin Piscator Eustache de Saint-Pierre example experience Expressionism Expressionist drama farce fear feeling film final Friedrich Georg Kaiser gerettete Alkibiades Grete hermae hero Hinkemann Hoppla human Ibsen ideas Jimmy joke Jürgen Fehling Karl Thomas Karlheinz Martin kind Koralle leben literature live mankind Maschinenstürmer Masse Mensch melodrama Millionaire modern Molière morgens bis mitternachts Munich never Pastor Hall Pirandello Piscator pity play play's playwright plot political premiere prison production proletariat protagonist realistic reality rejects Revolution role scene sense Shakespeare Shaw Sokrates stage style suggests suicide tableau talk theme thing thought tion tragedy tragi-comedy tragic villain vision Volksbühne Waiting for Godot Wandlung wish Woman words workers Woyzeck write wrote