German Expressionist Drama: Ernst Toller and Georg KaiserMacmillan, 1984 - 179 Seiten |
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Seite 5
... matter not only of the happenings themselves but of our emotional response , then the ques- tion : how dramatic is life ? is in part a subjective matter . What one person feels to be boring , another experiences as thrilling . Even a ...
... matter not only of the happenings themselves but of our emotional response , then the ques- tion : how dramatic is life ? is in part a subjective matter . What one person feels to be boring , another experiences as thrilling . Even a ...
Seite 53
... matter of satisfying certain expec- tations , and myth sets up expectations with a minimum of fuss . Art is also , as I was saying in the previous chapter , a matter , not of cognition , but of re - cognition : it does not tell you ...
... matter of satisfying certain expec- tations , and myth sets up expectations with a minimum of fuss . Art is also , as I was saying in the previous chapter , a matter , not of cognition , but of re - cognition : it does not tell you ...
Seite 275
... matter , but assuredly some forms of Christianity follow the Oriental pattern of unworldliness , and make little of death . One thing can be stated with certainty . The tragic attitude is the opposite of this . The man in the street's ...
... matter , but assuredly some forms of Christianity follow the Oriental pattern of unworldliness , and make little of death . One thing can be stated with certainty . The tragic attitude is the opposite of this . The man in the street's ...
Inhalt
PLOT The Raw Material of Plot | 1 |
Art and Politics | 10 |
Birth and Crucifixion | 22 |
Urheberrecht | |
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German Expressionist Drama: Ernst Toller and Georg Kaiser Renate Benson Keine Leseprobe verfügbar - 1984 |
Häufige Begriffe und Wortgruppen
action actor Aristotle artist audience become Berlin Brecht Bürger von Calais called Cashier César Klein characters comedy comic critics death despair dialogue drama dramatist dream episodes emotional Erich Mühsam Ernst Toller Erwin Piscator Eustache de Saint-Pierre example experience Expressionism Expressionist drama farce fear feeling film final Friedrich Georg Kaiser gerettete Alkibiades Grete hermae hero Hinkemann Hoppla human Ibsen ideas Jimmy joke Jürgen Fehling Karl Thomas Karlheinz Martin kind Koralle leben literature live mankind Maschinenstürmer Masse Mensch melodrama Millionaire modern Molière morgens bis mitternachts Munich never Pastor Hall Pirandello Piscator pity play play's playwright plot political premiere prison production proletariat protagonist realistic reality rejects Revolution role scene sense Shakespeare Shaw Sokrates stage style suggests suicide tableau talk theme thing thought tion tragedy tragi-comedy tragic villain vision Volksbühne Waiting for Godot Wandlung wish Woman words workers Woyzeck write wrote