German Expressionist Drama: Ernst Toller and Georg KaiserMacmillan, 1984 - 179 Seiten |
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Seite 125
... play Kaiser does not employ the term Der Neue Mensch ; instead he speaks of Der Mensch ( the man as ideal human ) whose characteristics are pacifism , altruism and wisdom . Die Bürger von Calais was premiered on 29 January 1917 in the ...
... play Kaiser does not employ the term Der Neue Mensch ; instead he speaks of Der Mensch ( the man as ideal human ) whose characteristics are pacifism , altruism and wisdom . Die Bürger von Calais was premiered on 29 January 1917 in the ...
Seite 183
... play is a workshop or laboratory for experiment by trial and error . There is no doubt a defensive side to it as well . Not having mastered the " real " world , by play - acting we construct a refuge from it , a haven whose ...
... play is a workshop or laboratory for experiment by trial and error . There is no doubt a defensive side to it as well . Not having mastered the " real " world , by play - acting we construct a refuge from it , a haven whose ...
Seite 191
... play is refuted by the performance of the play , unless we assume that the actors are failing to play the characters , in which case the performance is a failure . Since we cannot believe that Pirandello intended all performances of his ...
... play is refuted by the performance of the play , unless we assume that the actors are failing to play the characters , in which case the performance is a failure . Since we cannot believe that Pirandello intended all performances of his ...
Inhalt
PLOT The Raw Material of Plot | 1 |
Art and Politics | 10 |
Birth and Crucifixion | 22 |
Urheberrecht | |
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German Expressionist Drama: Ernst Toller and Georg Kaiser Renate Benson Keine Leseprobe verfügbar - 1984 |
Häufige Begriffe und Wortgruppen
action actor Aristotle artist audience become Berlin Brecht Bürger von Calais called Cashier César Klein characters comedy comic critics death despair dialogue drama dramatist dream episodes emotional Erich Mühsam Ernst Toller Erwin Piscator Eustache de Saint-Pierre example experience Expressionism Expressionist drama farce fear feeling film final Friedrich Georg Kaiser gerettete Alkibiades Grete hermae hero Hinkemann Hoppla human Ibsen ideas Jimmy joke Jürgen Fehling Karl Thomas Karlheinz Martin kind Koralle leben literature live mankind Maschinenstürmer Masse Mensch melodrama Millionaire modern Molière morgens bis mitternachts Munich never Pastor Hall Pirandello Piscator pity play play's playwright plot political premiere prison production proletariat protagonist realistic reality rejects Revolution role scene sense Shakespeare Shaw Sokrates stage style suggests suicide tableau talk theme thing thought tion tragedy tragi-comedy tragic villain vision Volksbühne Waiting for Godot Wandlung wish Woman words workers Woyzeck write wrote