German Expressionist Drama: Ernst Toller and Georg KaiserMacmillan, 1984 - 179 Seiten |
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Seite 120
... side may have in order to make his own side seem the stronger . Propagandists and lawyers are concerned with what seems . But a dramatist is con- cerned with what is . Suppression of the other side's case would be against his interests ...
... side may have in order to make his own side seem the stronger . Propagandists and lawyers are concerned with what seems . But a dramatist is con- cerned with what is . Suppression of the other side's case would be against his interests ...
Seite 126
... sides . Both , not neither . To be on neither side is to achieve such an icy detachment as could only tend to detach one's audience from the whole subject . To be on both sides is to invest one's feelings on both sides , and then to be ...
... sides . Both , not neither . To be on neither side is to achieve such an icy detachment as could only tend to detach one's audience from the whole subject . To be on both sides is to invest one's feelings on both sides , and then to be ...
Seite 141
... sides might call subterfuge and evasion , rather than in celebration of the true faith . His awareness of the other side insured that he would remain more of a dramatist than a propagandist . Indeed " other sides " always proved a ...
... sides might call subterfuge and evasion , rather than in celebration of the true faith . His awareness of the other side insured that he would remain more of a dramatist than a propagandist . Indeed " other sides " always proved a ...
Inhalt
PLOT The Raw Material of Plot | 1 |
Art and Politics | 10 |
Birth and Crucifixion | 22 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
German Expressionist Drama: Ernst Toller and Georg Kaiser Renate Benson Keine Leseprobe verfügbar - 1984 |
Häufige Begriffe und Wortgruppen
action actor Aristotle artist audience become Berlin Brecht Bürger von Calais called Cashier César Klein characters comedy comic critics death despair dialogue drama dramatist dream episodes emotional Erich Mühsam Ernst Toller Erwin Piscator Eustache de Saint-Pierre example experience Expressionism Expressionist drama farce fear feeling film final Friedrich Georg Kaiser gerettete Alkibiades Grete hermae hero Hinkemann Hoppla human Ibsen ideas Jimmy joke Jürgen Fehling Karl Thomas Karlheinz Martin kind Koralle leben literature live mankind Maschinenstürmer Masse Mensch melodrama Millionaire modern Molière morgens bis mitternachts Munich never Pastor Hall Pirandello Piscator pity play play's playwright plot political premiere prison production proletariat protagonist realistic reality rejects Revolution role scene sense Shakespeare Shaw Sokrates stage style suggests suicide tableau talk theme thing thought tion tragedy tragi-comedy tragic villain vision Volksbühne Waiting for Godot Wandlung wish Woman words workers Woyzeck write wrote