Uncommon Cultures: Popular Culture and Post-ModernismRoutledge, 11.01.2013 - 176 Seiten Jim Collins argues that postmodernism and popular culture have together undermined the master system of "culture." By looking at a wide range of texts and forms he investigates what happens to the notion of culture once different discourses begin to envision that culture in conflicting ways, constructing often contradictory visions of it simultaneously. |
Inhalt
| 1 | |
Intertextuality in Decentered Cultures | 43 |
The Languages of Popular Narrative | 65 |
4 Discursive Ideologies and Popular Film | 90 |
The Aesthetic Politics of Decenter Cultures | 112 |
Notes | 149 |
Index | 155 |
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Häufige Begriffe und Wortgruppen
19th century activity aesthetic alternative American appear architecture argued artistic assertion audience avant-garde Bakhtin becomes bricolage central Chariots of Fire commodification competing conception conflicting construction contemporary context critical cultural production decentered cultures detective fiction detective novel diegesis differentiation discursive ideologies distinctions dominant culture Eagleton emphasized enunciation example existence foregrounding forms of discourse fragmentation Frankfurt School function fundamental genre hard-boiled heterogeneity heteroglossia heteroglot hierarchy homogeneous impact individual insists International Style interpellation intertextual arenas juxtapositions kind language literary literature mass culture mass media master system means mode Modernism Modernist multiple narration narrative discourses notion oppositional orchestration Panopticon popular culture popular narrative Post-Modernism Post-Modernist Post-Modernist texts presupposes presuppositions radical Radio Gaga reader reading rejection relations represent representation semantic semiotic semiotic environments shot significant simultaneously social society specific spectator status structure stylistic supposedly television tensions textual theory tradition Umberto Eco unitary White Glove