Liber Amoris: And Dramatic CriticismsP. Nevill, 1948 - 426 Seiten |
Im Buch
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Seite 162
... critic has executed this part of his design , were in avoiding an appearance of mysticism in his style , not very attractive to the English reader , and in bringing illustrations from particular passages of the plays themselves , of ...
... critic has executed this part of his design , were in avoiding an appearance of mysticism in his style , not very attractive to the English reader , and in bringing illustrations from particular passages of the plays themselves , of ...
Seite 167
... critic must necessarily be a poet ; but to be a good critic , he ought not to be a bad poet . Such poetry as a man deliberately writes , such , and such only will he like . Dr. Johnson's Preface to his edition of Shakespeare looks like ...
... critic must necessarily be a poet ; but to be a good critic , he ought not to be a bad poet . Such poetry as a man deliberately writes , such , and such only will he like . Dr. Johnson's Preface to his edition of Shakespeare looks like ...
Seite 276
... critics do not perceive that the feelings of the heart sanctify , without disguising , the impulses of nature . Without refine- ment themselves , they confound modesty with hypocrisy . Not so the German critic , Schlegel . Speaking of ...
... critics do not perceive that the feelings of the heart sanctify , without disguising , the impulses of nature . Without refine- ment themselves , they confound modesty with hypocrisy . Not so the German critic , Schlegel . Speaking of ...
Inhalt
On Actors and Acting Parts I and II | 147 |
Preface | 161 |
Cymbeline | 173 |
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Häufige Begriffe und Wortgruppen
actor admiration affection answer Antony Apemantus beauty better breath Caesar Caliban character Chaucer comedy Coriolanus Cymbeline dear death Desdemona dost doth everything eyes Falstaff favour fear feeling fool fortune friends genius give Gonerill grace grave Hamlet hand hast hath Hazlitt hear heart heaven Henry honour hope Hubert human Iago imagination Juliet Julius Caesar king kiss lady Lear Liber Amoris live look lord lover Macbeth Malvolio manner Mark Antony Midsummer Night's Dream mind moral mother nature never night noble once Othello Pandarus passages passion person pity play pleasure poet poetry pride prince Regan revenge Richard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare soul speak speech spirit Stendhal sweet tell tenderness thee things thou art thought Timon Titus Andronicus tragedy true truth unto wife wish words youth