Liber Amoris: And Dramatic CriticismsP. Nevill, 1948 - 426 Seiten |
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Seite 238
... Everything in Chaucer has a downright reality . A simile or a sentiment is as if it were given in upon evidence . In Shakespeare the commonest matter - of - fact has a romantic grace about it ; or seems to float with the breath of ...
... Everything in Chaucer has a downright reality . A simile or a sentiment is as if it were given in upon evidence . In Shakespeare the commonest matter - of - fact has a romantic grace about it ; or seems to float with the breath of ...
Seite 238
... Everything in Chaucer has a downright reality . A simile or a sentiment is as if it were given in upon evidence . In Shakespeare In Shakespeare the commonest matter - of - fact has a romantic grace about it ; seems to float with the ...
... Everything in Chaucer has a downright reality . A simile or a sentiment is as if it were given in upon evidence . In Shakespeare In Shakespeare the commonest matter - of - fact has a romantic grace about it ; seems to float with the ...
Seite 358
... everything , instead of the worst . There is a constant infusion of the romantic and enthusiastic , in proportion as the characters are natural and sincere : whereas , in the more artificial style of comedy , everything gives way to ...
... everything , instead of the worst . There is a constant infusion of the romantic and enthusiastic , in proportion as the characters are natural and sincere : whereas , in the more artificial style of comedy , everything gives way to ...
Inhalt
On Actors and Acting Parts I and II | 147 |
Preface | 161 |
Cymbeline | 173 |
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actor admiration affection answer Antony Apemantus beauty better breath Caesar Caliban character Chaucer comedy Coriolanus Cymbeline dear death Desdemona dost doth everything eyes Falstaff favour fear feeling fool fortune friends genius give Gonerill grace grave Hamlet hand hast hath Hazlitt hear heart heaven Henry honour hope Hubert human Iago imagination Juliet Julius Caesar king kiss lady Lear Liber Amoris live look lord lover Macbeth Malvolio manner Mark Antony Midsummer Night's Dream mind moral mother nature never night noble once Othello Pandarus passages passion person pity play pleasure poet poetry pride prince Regan revenge Richard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare soul speak speech spirit Stendhal sweet tell tenderness thee things thou art thought Timon Titus Andronicus tragedy true truth unto wife wish words youth