Gloriana's Face: Women, Public and Private, in the English RenaissanceS. P. Cerasano, Marion Wynne-Davies Wayne State University Press, 1992 - 234 Seiten Ten feminist-materialist explorations of the oppression of women in England from the early Renaissance to the 1650s, draw on women's place in courtesy books, royal office, drama, and other social, political, and literary arenas. Annotation copyrighted by Book News, Inc., Portland, OR |
Inhalt
Penelope and the Politics of Womans Place in | 25 |
Autobiographical Texts | 47 |
Queen Elizabeth in Her Speeches | 63 |
Renaissance Women and | 79 |
The Maternal Subtext | 105 |
Chez Petruchio Percy and Plantagenet | 129 |
Half a Dozen Dangerous Words | 167 |
Responses | 205 |
| 228 | |
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Häufige Begriffe und Wortgruppen
Ann Fanshawe Anna Trapnel Anne Clifford Arcadia authority autobiography Barmenissa Ben Jonson Benedick chastity Claudio Coppélia Countess criticism daughter desire discourse Eliza Elizabeth of Bohemia England English Renaissance essay example female feminine feminist fiction gender Gloriana Greene's Gynecia hath Henry Henry IV Hero honest slander Hotspur husband Ibid identity Jacobean John Jonson Kate Katherine King Lady Anne Clifford Lady Mary Wroth Lady Percy language Lear literary London Lord male Margaret marriage Mary Masque of Blackness Masque of Queens metaphor Methuen Mortimer mother Oxford pamphlet parliamentary speech patriarchal Penelope Penelope's Petruchio Philoclea play poem political portrait preaching Prince Puritan Puritan women Pyrocles Queen Elizabeth relationship rhetoric role scene seventeenth century sexual Shakespeare Shrew Sidney Sidney's silence social Speght spiritual story suggests Taming Tilbury tion Trapnel University Press Urania verbal virtue wife woman women writers writing Wroth York