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Achilles adjoining ancient apartments appears arabesques architectural atrium bas-relief baths beautiful blue Briseis bronze called centre chamber cistern colours columns compartments compluvium conjecture containing Corinthian Corinthian order cornice court covered Cupid decorated described door elegant entablature entrance excavated exedra feet female figures Forum fountain four front funeral garden glass ground Ground-plan head height Herculaneum holes honour House of Pansa impluvium inches inscription intercolumniations kitchen lararium lower marble Mazois Meleager ment mosaic Nereids occupied opus signinum ornamented painted passage pavement peristyle persons picture pillars placed plinth Pliny Pompeian Pompeii portico preserved probably prothyrum Quaestor remarkable represents resembling Romans Rome roof Sallust seems sextarii side slaves sort staircase stone street of Mercuries stucco style supposed surrounded tablinum terrace Thermae tion tomb triclinium Tuscan atrium Tyndareus upper floor usual vases vessels vestibule villa Vitruvius walls whole
Seite 240 - ... received into a fine polished marble basin, so artfully contrived that it is always full without ever overflowing. When I sup here, this basin serves...
Seite 140 - And Moses said, Thus saith the LORD, About midnight will I go out into the midst of Egypt: and all the firstborn in the land of Egypt shall die, from the firstborn of Pharaoh that sitteth upon his throne, even unto the firstborn of the maidservant that is behind the mill; and all the firstborn of beasts.
Seite 240 - Beyond these is a walk planted with the smooth and twining acanthus, where the trees are also cut into a variety of names and shapes. At the upper end is an alcove of white marble, shaded with vines, supported by four small Carystian pillars.
Seite 45 - Ctere ; a date which, whether true or false, will at all events hardly command belief in the absence of all proof except the historian's assertion. The first Grecian painters who came to Italy are said to have been brought over by Demaratus, the father of Tarquinius Priscus, king of Rome. At all events the influence which Etruria exercised over the arts at Rome during the reign of the Tar* Phd.
Seite 240 - From this bench, the water, gushing through several little pipes, as if it were pressed out by the weight of the persons who repose themselves upon it, falls into a stone cistern underneath, from whence it is received into a fine polished marble basin, so artfully contrived that it is always full without ever overflowing. When I sup here...
Seite 114 - Blue was his breadth of back, but streak'd with scaly gold: Thus riding on his curls, he seem'd to pass A rolling fire along, and singe the grass. More various colours through his body run, Than Iris, when her bow imbibes the sun.
Seite 39 - Moreover, it were better to lay a course of flint or chaff between it and the lime, to the end that the lime may not have so much force to hurt the' board underneath it. It were also well to put at the bottom a bed of round pebbles.
Seite 295 - The plinth is beautifully damasked, or inlaid, in imitation of a vine, the leaves of which are of silver, the stem and fruit of bright brass. On one side is an altar with wood and fire upon it ; on the other a Bacchus, naked, with his thick hair plaited and bound with ivy. He rides a tiger, and has his left hand in the attitude of holding reins, which time probably has destroyed ; with the right he raises a drinking-horn.
Seite 239 - ... on a sudden, in the midst of this elegant regularity, you are surprised with an imitation of the negligent beauties of rural nature, in the centre of which lies a spot surrounded with a knot of dwarf Plane trees.
Seite 106 - ... the precise pattern of some which have been found in Pompeii: on the right, an eel spitted on a wire, a ham, a boar's head, and a joint of meat, which, as pig-meat seems to have been in request here, we may conjecture to be a loin of pork ; at least it is as like that as anything else. It is suspended by a reed, as is still done at Rome. The execution of this painting is coarse and careless in the extreme, yet there is a spirit and freedom of touch which has hit off the character of the objects...