Print, Manuscript & Performance: The Changing Relations of the Media in Early Modern EnglandArthur F. Marotti, Michael D. Bristol Ohio State University Press, 2000 - 322 Seiten The eleven essays in this volume explore the complex interactions in early modern England between a technologically advanced culture of the printed book and a still powerful traditional culture of the spoken word, spectacle, and manuscript. Scholars who work on manuscript culture, the history of printing, cultural history, historical bibliography, and the institutions of early modern drama and theater have been brought together to address such topics as the social character of texts, historical changes in notions of literary authority and intellectual property, the mutual influence and tensions between the different forms of "publication," and the epistemological and social implications of various communications technologies. Although canonical literary writers such as Shakespeare, Jonson, and Rochester are discussed, the field of writing examined is a broad one, embracing political speeches, coterie manuscript poetry, popular pamphlets, parochially targeted martyrdom accounts, and news reports. Setting writers, audiences, and texts in their specific historical context, the contributors focus on a period in early modern England, from the late sixteenth through the late seventeenth century, when the shift from orality and manuscript communication to print was part of large-scale cultural change. Arthur F. Marotti's and Michael D. Bristol's introduction analyzes some of the sociocultural issues implicit in the collection and relates the essays to contemporary work in textual studies, bibliography, and publication history. |
Im Buch
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... James's daughter , Elizabeth , and her husband from the Palatinate , the king and his ministers themselves began to find it expedient to allow a wider scope to the dissemination of news . James's efforts to find a Spanish bride for his ...
... James's personal distaste for having discussions of foreign policy brought into the open ; they also present presumptive evidence that King James , at least , was not behind the production . No commentator from that day to this has been ...
... James . " James would have been James Charnberne or Cham- berne , whose wife , Sarah , was suspected of having an adulterous affair with Thomas Powle . According to James Stokes , horns had been hung over the Chamberne home ( 2 : 880 ) ...
Inhalt
The Rapes of Lucina | 16 |
From Oral Delivery to Print in the Speeches of Elizabeth I | 33 |
The Structural Transformation of Print in Late | 49 |
Urheberrecht | |
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