Shakespeare's Political Plays, Band 10Random House, 1967 - 241 Seiten |
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Seite 23
... figure in the Oresteia , so Shakespeare's figure of Joan displays heroic power - even something of the mag- netism that the real Joan undoubtedly possessed — and Talbot is made to recognize his weakness in confronting such a figure : My ...
... figure in the Oresteia , so Shakespeare's figure of Joan displays heroic power - even something of the mag- netism that the real Joan undoubtedly possessed — and Talbot is made to recognize his weakness in confronting such a figure : My ...
Seite 31
... figure he appears in the play , but a tough and competent soldier who grew old in the Lancastrians ' service . Only one actual withdrawal provides even an excuse for the play's judg- ment on him ; but here is an example of that ...
... figure he appears in the play , but a tough and competent soldier who grew old in the Lancastrians ' service . Only one actual withdrawal provides even an excuse for the play's judg- ment on him ; but here is an example of that ...
Seite 175
... figure , but rather the reverse : the eclipse of many humane elements in the new king's personality is stressed by ... figures in its foreground . In view of this chiaroscuro , the play proves to be less simply epic than has usually been ...
... figure , but rather the reverse : the eclipse of many humane elements in the new king's personality is stressed by ... figures in its foreground . In view of this chiaroscuro , the play proves to be less simply epic than has usually been ...
Inhalt
Introduction | 3 |
Richard III | 75 |
PART | 106 |
Urheberrecht | |
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accept achieve action Aeschylus already appears authority Bastard battle become begins Brutus Caesar Cassius character complex concerned contrast Coriolanus course crown death earlier effective Elizabethan England English established fact fails Falstaff father favor fear feels figure finally forces France French further give Gloucester hand hath head heart Henry Henry's history play Hotspur human initiative interest issues Joan John John's judgment kind king king's land later less lines live look Lord Margaret means medieval merely mind moral murder nature never once opening peace personality political present Prince proves Providence queen reason recognize reflects remains response result rhetoric Richard Richard III role scene seems sense Shakespeare shows situation soliloquy speech spirit success Suffolk suggests thee theme thou throne tion true turn ultimate values virtue York
Verweise auf dieses Buch
Shakespeare's English and Roman History Plays: A Marxist Approach Paul N. Siegel Eingeschränkte Leseprobe - 1986 |