Shakespeare's Political Plays, Band 10Random House, 1967 - 241 Seiten |
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Seite 10
... historical outlines of the development of the Elizabethan history play up to the time of Shake- speare's association with the London theaters , yet these provide , in themselves , only a partial sense of the charac- ter of the genre and ...
... historical outlines of the development of the Elizabethan history play up to the time of Shake- speare's association with the London theaters , yet these provide , in themselves , only a partial sense of the charac- ter of the genre and ...
Seite 11
... plays . Yet if an historical theme has be- come a familiar literary resource , this hardly helps to ex- plain why we distinguish the history play as a genre from tragedy and comedy , just as we distinguish the historical novel from ...
... plays . Yet if an historical theme has be- come a familiar literary resource , this hardly helps to ex- plain why we distinguish the history play as a genre from tragedy and comedy , just as we distinguish the historical novel from ...
Seite 12
Hugh M. Richmond. tic , the less historical , as well as the less challenging the play will be . The history play , then , is precariously balanced as a genre - between falsification of fact in the interest of en- tertainment or ...
Hugh M. Richmond. tic , the less historical , as well as the less challenging the play will be . The history play , then , is precariously balanced as a genre - between falsification of fact in the interest of en- tertainment or ...
Inhalt
Introduction | 3 |
Richard III | 75 |
PART | 106 |
Urheberrecht | |
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accept achieve action Aeschylus already appears authority Bastard battle become begins Brutus Caesar Cassius character complex concerned contrast Coriolanus course crown death earlier effective Elizabethan England English established fact fails Falstaff father favor fear feels figure finally forces France French further give Gloucester hand hath head heart Henry Henry's history play Hotspur human initiative interest issues Joan John John's judgment kind king king's land later less lines live look Lord Margaret means medieval merely mind moral murder nature never once opening peace personality political present Prince proves Providence queen reason recognize reflects remains response result rhetoric Richard Richard III role scene seems sense Shakespeare shows situation soliloquy speech spirit success Suffolk suggests thee theme thou throne tion true turn ultimate values virtue York
Verweise auf dieses Buch
Shakespeare's English and Roman History Plays: A Marxist Approach Paul N. Siegel Eingeschränkte Leseprobe - 1986 |