Shakespeare's Political Plays, Band 10Random House, 1967 - 241 Seiten |
Im Buch
Ergebnisse 1-3 von 25
Seite 28
... lines of the play are Suffolk's , as he gloats with satisfaction over the triumph of his self - indulgence , both emotional and political . It is characteristic of Shake- speare that these lines should be forebodingly colored by imagery ...
... lines of the play are Suffolk's , as he gloats with satisfaction over the triumph of his self - indulgence , both emotional and political . It is characteristic of Shake- speare that these lines should be forebodingly colored by imagery ...
Seite 31
... lines to Talbot's titles and honors . Joan replies tersely and contemptuously , ending with two magnificently savage lines : Here is a silly stately style indeed ! The Turk , that two and fifty kingdoms hath Writes not so tedious a ...
... lines to Talbot's titles and honors . Joan replies tersely and contemptuously , ending with two magnificently savage lines : Here is a silly stately style indeed ! The Turk , that two and fifty kingdoms hath Writes not so tedious a ...
Seite 150
... lines by drawing directly on the famous Biblical passage in which Ruth protests her deep love for Naomi ( Ruth , I.16 ) . Here , the words sound like a renewal of the couple's mar- riage vows . It is in the first scene of the third act ...
... lines by drawing directly on the famous Biblical passage in which Ruth protests her deep love for Naomi ( Ruth , I.16 ) . Here , the words sound like a renewal of the couple's mar- riage vows . It is in the first scene of the third act ...
Inhalt
Introduction | 3 |
Richard III | 75 |
PART | 106 |
Urheberrecht | |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
accept achieve action Aeschylus already appears authority Bastard battle become begins Brutus Caesar Cassius character complex concerned contrast Coriolanus course crown death earlier effective Elizabethan England English established fact fails Falstaff father favor fear feels figure finally forces France French further give Gloucester hand hath head heart Henry Henry's history play Hotspur human initiative interest issues Joan John John's judgment kind king king's land later less lines live look Lord Margaret means medieval merely mind moral murder nature never once opening peace personality political present Prince proves Providence queen reason recognize reflects remains response result rhetoric Richard Richard III role scene seems sense Shakespeare shows situation soliloquy speech spirit success Suffolk suggests thee theme thou throne tion true turn ultimate values virtue York
Verweise auf dieses Buch
Shakespeare's English and Roman History Plays: A Marxist Approach Paul N. Siegel Eingeschränkte Leseprobe - 1986 |