Drama, Metadrama and PerceptionAssociated University Presse, 1986 - 189 Seiten |
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Seite 2
... Also by Richard Hornby : Script into Performance : A Structuralist View of Play Production ( 1977 ) Patterns in Ibsen s Middle Plays ( 1981 ) Metadrama , and Perception Richard Hornby IN Lewisburg Bucknell University.
... Also by Richard Hornby : Script into Performance : A Structuralist View of Play Production ( 1977 ) Patterns in Ibsen s Middle Plays ( 1981 ) Metadrama , and Perception Richard Hornby IN Lewisburg Bucknell University.
Seite 7
... Strindberg , The Father 11 Ibsen , The Master Builder 12 Pinter , Betrayal 13 Afterword List of Works Cited Index 121 133 148 158 164 171 179 181 185 Acknowledgments Excerpts from earlier versions of several chapters of this.
... Strindberg , The Father 11 Ibsen , The Master Builder 12 Pinter , Betrayal 13 Afterword List of Works Cited Index 121 133 148 158 164 171 179 181 185 Acknowledgments Excerpts from earlier versions of several chapters of this.
Seite 9
... Ibsen Society of America , Rolf Fjelde , for permis- sion to quote from his translation of The Master Builder . My wife , Yvonne Shafer Hornby , to whom this book is dedicated , read every chapter with her usual perspicacity , and made ...
... Ibsen Society of America , Rolf Fjelde , for permis- sion to quote from his translation of The Master Builder . My wife , Yvonne Shafer Hornby , to whom this book is dedicated , read every chapter with her usual perspicacity , and made ...
Seite 14
... Ibsen is to Maeterlinck , as Marlon Brando is to Laurence Olivier . These paralleled oppositions , along with many others , have become embedded in the brains of theatre practitioners and scholars ( especially in the United States ) ...
... Ibsen is to Maeterlinck , as Marlon Brando is to Laurence Olivier . These paralleled oppositions , along with many others , have become embedded in the brains of theatre practitioners and scholars ( especially in the United States ) ...
Seite 16
... Ibsen's plays provides an example : critics of the past few decades have been treating Ibsen primarily as a dramatic poet , whose plays are filled 16 Drama and Reality.
... Ibsen's plays provides an example : critics of the past few decades have been treating Ibsen primarily as a dramatic poet , whose plays are filled 16 Drama and Reality.
Inhalt
13 | |
29 | |
31 | |
The Ceremony within the Play | 49 |
Role Playing within the Role | 67 |
Literary and RealLife Reference within the Play | 88 |
SelfReference | 103 |
Drama and Perception | 119 |
Shakespeare As You Like It | 133 |
Buchner Woyzeck | 148 |
Strindberg The Father | 158 |
Ibsen The Master Builder | 164 |
Pinter Betrayal | 171 |
Afterword | 179 |
Works Cited | 181 |
Index | 185 |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain century ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke estrangement Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet human Ibsen identity inner play inset type intuitive Jaques Laius Laura literary reference literature live Macbeth main play means metadramatic Molière murder nature neurotic never Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production provides R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical theory things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York