Drama, Metadrama and PerceptionAssociated University Presse, 1986 - 189 Seiten |
Im Buch
Ergebnisse 1-5 von 56
Seite 7
... Shakespeare , As You Like It 9 Büchner , Woyzeck 10 Strindberg , The Father 11 Ibsen , The Master Builder 12 Pinter , Betrayal 13 Afterword List of Works Cited Index 121 133 148 158 164 171 179 181 185 Acknowledgments Excerpts from ...
... Shakespeare , As You Like It 9 Büchner , Woyzeck 10 Strindberg , The Father 11 Ibsen , The Master Builder 12 Pinter , Betrayal 13 Afterword List of Works Cited Index 121 133 148 158 164 171 179 181 185 Acknowledgments Excerpts from ...
Seite 9
... Shakespearean , Herbert R. Coursen , Jr. , in addition to inspiring a good deal of chapter three , was very helpful with chapter eight . Finally , the students in my graduate seminars in the School of Theatre at Florida State University ...
... Shakespearean , Herbert R. Coursen , Jr. , in addition to inspiring a good deal of chapter three , was very helpful with chapter eight . Finally , the students in my graduate seminars in the School of Theatre at Florida State University ...
Seite 15
... Shakespeare at all well . At times , his plays seem as realistic as those of Lanford Wilson ( allowing for obvious differences of time and place ) , at other times as antirealistic as those of Samuel Beckett , at still other times ...
... Shakespeare at all well . At times , his plays seem as realistic as those of Lanford Wilson ( allowing for obvious differences of time and place ) , at other times as antirealistic as those of Samuel Beckett , at still other times ...
Seite 19
... Shakespeare or Ibsen , sit down and try , " intran- sitively , " to write a play based on the archetypes that I know extremely well , the results are so paltry ? Under realistic doctrine , one could at least say that Shakespeare and ...
... Shakespeare or Ibsen , sit down and try , " intran- sitively , " to write a play based on the archetypes that I know extremely well , the results are so paltry ? Under realistic doctrine , one could at least say that Shakespeare and ...
Seite 21
... Shakespeare's time . In addition , drama is a subsystem of theatre , which includes a multitude of performance practices that are nonverbal . Thus , the incident in which Falstaff lifts the dead Hotspur on his back draws upon the ...
... Shakespeare's time . In addition , drama is a subsystem of theatre , which includes a multitude of performance practices that are nonverbal . Thus , the incident in which Falstaff lifts the dead Hotspur on his back draws upon the ...
Inhalt
13 | |
29 | |
31 | |
The Ceremony within the Play | 49 |
Role Playing within the Role | 67 |
Literary and RealLife Reference within the Play | 88 |
SelfReference | 103 |
Drama and Perception | 119 |
Shakespeare As You Like It | 133 |
Buchner Woyzeck | 148 |
Strindberg The Father | 158 |
Ibsen The Master Builder | 164 |
Pinter Betrayal | 171 |
Afterword | 179 |
Works Cited | 181 |
Index | 185 |
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Häufige Begriffe und Wortgruppen
acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain century ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke estrangement Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet human Ibsen identity inner play inset type intuitive Jaques Laius Laura literary reference literature live Macbeth main play means metadramatic Molière murder nature neurotic never Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production provides R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical theory things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York