Drama, Metadrama and PerceptionAssociated University Presse, 1986 - 189 Seiten |
Im Buch
Ergebnisse 1-5 von 36
Seite 14
... action.3 Realism as doctrine is a device for categorizing all drama , polarizing it into realistic and antirealistic . This polarity is paralleled with other polarities : realism is to antirealism as " representational " is to ...
... action.3 Realism as doctrine is a device for categorizing all drama , polarizing it into realistic and antirealistic . This polarity is paralleled with other polarities : realism is to antirealism as " representational " is to ...
Seite 18
... rather than being characteristic of that experience . If a character reminds someone of his aunt Marv , the play stops for him for a while ; if the action suddenly and obviously depicts the election of Ronald Reagan 18 Drama and Reality.
... rather than being characteristic of that experience . If a character reminds someone of his aunt Marv , the play stops for him for a while ; if the action suddenly and obviously depicts the election of Ronald Reagan 18 Drama and Reality.
Seite 19
... action progresses , how characters are supposed to behave , what kind of situations are interesting . As it does for the playwright , the play for the audience reflects primarily inward , and secondarily outward , to the unstated but ...
... action progresses , how characters are supposed to behave , what kind of situations are interesting . As it does for the playwright , the play for the audience reflects primarily inward , and secondarily outward , to the unstated but ...
Seite 24
... action ( a suicide , a duel , an auction for the family estate ) placed offstage . Beckett seems revolution- ary , but , as Albert Bermel has ably demonstrated , he actually is placing tradi- tional characters in plots and situations ...
... action ( a suicide , a duel , an auction for the family estate ) placed offstage . Beckett seems revolution- ary , but , as Albert Bermel has ably demonstrated , he actually is placing tradi- tional characters in plots and situations ...
Seite 33
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Inhalt
13 | |
29 | |
31 | |
The Ceremony within the Play | 49 |
Role Playing within the Role | 67 |
Literary and RealLife Reference within the Play | 88 |
SelfReference | 103 |
Drama and Perception | 119 |
Shakespeare As You Like It | 133 |
Buchner Woyzeck | 148 |
Strindberg The Father | 158 |
Ibsen The Master Builder | 164 |
Pinter Betrayal | 171 |
Afterword | 179 |
Works Cited | 181 |
Index | 185 |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain century ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke estrangement Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet human Ibsen identity inner play inset type intuitive Jaques Laius Laura literary reference literature live Macbeth main play means metadramatic Molière murder nature neurotic never Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production provides R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical theory things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York