Drama, Metadrama and PerceptionAssociated University Presse, 1986 - 189 Seiten |
Im Buch
Ergebnisse 1-5 von 35
Seite 11
Richard Hornby. Drama , Metadrama , and Perception 1 Drama and Reality i For over a century ,
Richard Hornby. Drama , Metadrama , and Perception 1 Drama and Reality i For over a century ,
Seite 13
Richard Hornby. 1 Drama and Reality i For over a century , realism has been the touchstone of dramatic criticism and theory . Not that plays have all been realistic ; far from it . Rather , realism has provided the theoretical basis for ...
Richard Hornby. 1 Drama and Reality i For over a century , realism has been the touchstone of dramatic criticism and theory . Not that plays have all been realistic ; far from it . Rather , realism has provided the theoretical basis for ...
Seite 14
... century , characterized by psychologically deep and complex motivation in the characters , behind a continuous ... centuries , 14 Drama and Reality.
... century , characterized by psychologically deep and complex motivation in the characters , behind a continuous ... centuries , 14 Drama and Reality.
Seite 15
Richard Hornby. Poetics , has waxed and waned over the centuries , and will always have a limited usefulness , but when it is pressed too hard it becomes as artificial as the male / female opposition . Contemporary American directors and ...
Richard Hornby. Poetics , has waxed and waned over the centuries , and will always have a limited usefulness , but when it is pressed too hard it becomes as artificial as the male / female opposition . Contemporary American directors and ...
Seite 20
... century have so restlessly and endlessly sought new taboos to break . iii To recapitulate , a play is first and foremost what the New Critics described as " autotelic " : it reflects no external reality ( at least not directly ) , but ...
... century have so restlessly and endlessly sought new taboos to break . iii To recapitulate , a play is first and foremost what the New Critics described as " autotelic " : it reflects no external reality ( at least not directly ) , but ...
Inhalt
13 | |
29 | |
31 | |
The Ceremony within the Play | 49 |
Role Playing within the Role | 67 |
Literary and RealLife Reference within the Play | 88 |
SelfReference | 103 |
Drama and Perception | 119 |
Shakespeare As You Like It | 133 |
Buchner Woyzeck | 148 |
Strindberg The Father | 158 |
Ibsen The Master Builder | 164 |
Pinter Betrayal | 171 |
Afterword | 179 |
Works Cited | 181 |
Index | 185 |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain century ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke estrangement Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet human Ibsen identity inner play inset type intuitive Jaques Laius Laura literary reference literature live Macbeth main play means metadramatic Molière murder nature neurotic never Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production provides R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical theory things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York