Drama, Metadrama and PerceptionAssociated University Presse, 1986 - 189 Seiten |
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Seite 18
... , rather than being characteristic of that experience . If a character reminds someone of his aunt Marv , the play stops for him for a while ; if the action suddenly and obviously depicts the election of Ronald Reagan 18 Drama and Reality.
... , rather than being characteristic of that experience . If a character reminds someone of his aunt Marv , the play stops for him for a while ; if the action suddenly and obviously depicts the election of Ronald Reagan 18 Drama and Reality.
Seite 19
Richard Hornby. action suddenly and obviously depicts the election of Ronald Reagan , the dramatic illusion for the audience is broken rather than enhanced . A good production of a good play seems isolated and self - contained ; for a ...
Richard Hornby. action suddenly and obviously depicts the election of Ronald Reagan , the dramatic illusion for the audience is broken rather than enhanced . A good production of a good play seems isolated and self - contained ; for a ...
Seite 21
... depicts Shakespeare's entire culture . We are just beginning to understand the importance of cultural codes with regard to our behavior . Anthropologists , in studying primitive tribes , have grasped the significance of myth and ritual ...
... depicts Shakespeare's entire culture . We are just beginning to understand the importance of cultural codes with regard to our behavior . Anthropologists , in studying primitive tribes , have grasped the significance of myth and ritual ...
Seite 23
... depicting war in literature and drama . There has developed a whole genre of anti - war literature , not only by such authors as Hemingway or Remarque , but Shaw , Brecht , and innumerable others . This genre was a major reason for the ...
... depicting war in literature and drama . There has developed a whole genre of anti - war literature , not only by such authors as Hemingway or Remarque , but Shaw , Brecht , and innumerable others . This genre was a major reason for the ...
Seite 27
... depicted villains with some redeeming qualities , and heroes with misgivings or weaknesses ; the quick - draw duel was often averted , or , if it occurred , had unpleasant consequences rather than a clear moral victory . This ...
... depicted villains with some redeeming qualities , and heroes with misgivings or weaknesses ; the quick - draw duel was often averted , or , if it occurred , had unpleasant consequences rather than a clear moral victory . This ...
Inhalt
13 | |
29 | |
31 | |
The Ceremony within the Play | 49 |
Role Playing within the Role | 67 |
Literary and RealLife Reference within the Play | 88 |
SelfReference | 103 |
Drama and Perception | 119 |
Shakespeare As You Like It | 133 |
Buchner Woyzeck | 148 |
Strindberg The Father | 158 |
Ibsen The Master Builder | 164 |
Pinter Betrayal | 171 |
Afterword | 179 |
Works Cited | 181 |
Index | 185 |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain century ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke estrangement Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet human Ibsen identity inner play inset type intuitive Jaques Laius Laura literary reference literature live Macbeth main play means metadramatic Molière murder nature neurotic never Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production provides R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical theory things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York