Drama, Metadrama and PerceptionAssociated University Presse, 1986 - 189 Seiten |
Im Buch
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Seite 13
... device for categorizing everything in theatre . Whether one likes realism or not , the defining trait for the theatre is always how " close to " or " far from " everyday life it seems . Structuralists influenced by Lévi - Strauss will ...
... device for categorizing everything in theatre . Whether one likes realism or not , the defining trait for the theatre is always how " close to " or " far from " everyday life it seems . Structuralists influenced by Lévi - Strauss will ...
Seite 14
... device for categorizing all drama , polarizing it into realistic and antirealistic . This polarity is paralleled ... devices for categorizing and measuring life indirectly . Realistic doctrine , whose basis is found in Aristotle's term ...
... device for categorizing all drama , polarizing it into realistic and antirealistic . This polarity is paralleled ... devices for categorizing and measuring life indirectly . Realistic doctrine , whose basis is found in Aristotle's term ...
Seite 24
... devices such as the letter in the visible mailbox . As in many Well- Made Plays , the villain undergoes a sudden conversion of conscience , and the heroine emerges victorious . The difference is that Ibsen has Krogstad undergo this ...
... devices such as the letter in the visible mailbox . As in many Well- Made Plays , the villain undergoes a sudden conversion of conscience , and the heroine emerges victorious . The difference is that Ibsen has Krogstad undergo this ...
Seite 26
... device for categorizing and measuring the enormous range of phenomena that are actually perceived . At any given moment we are bombarded with such phenomena , which we must organize and catalog if we are to function at all efficiently ...
... device for categorizing and measuring the enormous range of phenomena that are actually perceived . At any given moment we are bombarded with such phenomena , which we must organize and catalog if we are to function at all efficiently ...
Seite 32
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Inhalt
13 | |
29 | |
31 | |
The Ceremony within the Play | 49 |
Role Playing within the Role | 67 |
Literary and RealLife Reference within the Play | 88 |
SelfReference | 103 |
Drama and Perception | 119 |
Shakespeare As You Like It | 133 |
Buchner Woyzeck | 148 |
Strindberg The Father | 158 |
Ibsen The Master Builder | 164 |
Pinter Betrayal | 171 |
Afterword | 179 |
Works Cited | 181 |
Index | 185 |
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Häufige Begriffe und Wortgruppen
acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain century ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke estrangement Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet human Ibsen identity inner play inset type intuitive Jaques Laius Laura literary reference literature live Macbeth main play means metadramatic Molière murder nature neurotic never Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production provides R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical theory things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York