Drama, Metadrama and PerceptionAssociated University Presse, 1986 - 189 Seiten |
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Seite 15
... entire language . Thus , if I were to say , " I came to work this morning by motorized conveyance , " you would immediately recognize the pompous tone in the choice of my words , because you are aware of the other locations available ...
... entire language . Thus , if I were to say , " I came to work this morning by motorized conveyance , " you would immediately recognize the pompous tone in the choice of my words , because you are aware of the other locations available ...
Seite 20
... entire , universal system in a dynamic way . This " universal system , " consisting of all the systems of meaning by which a society thinks and acts , is what is commonly known as a culture . Drama , no matter how much it may seem to ...
... entire , universal system in a dynamic way . This " universal system , " consisting of all the systems of meaning by which a society thinks and acts , is what is commonly known as a culture . Drama , no matter how much it may seem to ...
Seite 21
... entire culture . We are just beginning to understand the importance of cultural codes with regard to our behavior . Anthropologists , in studying primitive tribes , have grasped the significance of myth and ritual as embodying a world ...
... entire culture . We are just beginning to understand the importance of cultural codes with regard to our behavior . Anthropologists , in studying primitive tribes , have grasped the significance of myth and ritual as embodying a world ...
Seite 23
... entire system of culture that is operating here : not just " serious " works by a Hemingway or a Remarque , but grade B movies , pulp novels , commercial plays . ( More recently , TV dramas can be added to the list . ) Nor does ...
... entire system of culture that is operating here : not just " serious " works by a Hemingway or a Remarque , but grade B movies , pulp novels , commercial plays . ( More recently , TV dramas can be added to the list . ) Nor does ...
Seite 28
... entire genre or subgenre , however , as with pornography . But the solution to the problem is not censorship ( which is never effective ) ; our imaginary life is impregnable under direct assault . Instead , the solution is the creation ...
... entire genre or subgenre , however , as with pornography . But the solution to the problem is not censorship ( which is never effective ) ; our imaginary life is impregnable under direct assault . Instead , the solution is the creation ...
Inhalt
13 | |
29 | |
31 | |
The Ceremony within the Play | 49 |
Role Playing within the Role | 67 |
Literary and RealLife Reference within the Play | 88 |
SelfReference | 103 |
Drama and Perception | 119 |
Shakespeare As You Like It | 133 |
Buchner Woyzeck | 148 |
Strindberg The Father | 158 |
Ibsen The Master Builder | 164 |
Pinter Betrayal | 171 |
Afterword | 179 |
Works Cited | 181 |
Index | 185 |
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Häufige Begriffe und Wortgruppen
acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain century ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke estrangement Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet human Ibsen identity inner play inset type intuitive Jaques Laius Laura literary reference literature live Macbeth main play means metadramatic Molière murder nature neurotic never Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production provides R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical theory things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York