Drama, Metadrama and PerceptionAssociated University Presse, 1986 - 189 Seiten |
Im Buch
Ergebnisse 1-5 von 43
Seite
... never about reality directly. Plays operate within a complex of cultural codes, including that of drama itself, and surrounding that, other cultural systems including those of theatre, literature, and social behavior. Drama is always ...
... never about reality directly. Plays operate within a complex of cultural codes, including that of drama itself, and surrounding that, other cultural systems including those of theatre, literature, and social behavior. Drama is always ...
Seite 14
... never to accept such parallelings of polarities without question . The realistic / antirealistic polarity in dramatic theory may at last be dying out , as new theories from structuralism and poststructuralism supersede it . This is not ...
... never to accept such parallelings of polarities without question . The realistic / antirealistic polarity in dramatic theory may at last be dying out , as new theories from structuralism and poststructuralism supersede it . This is not ...
Seite 25
... never have been written . Again , this is not because Brecht was engaged in some sterile exercise of copying other playwrights , but rather because he believed that German drama had formed a system of ideas and beliefs for the German ...
... never have been written . Again , this is not because Brecht was engaged in some sterile exercise of copying other playwrights , but rather because he believed that German drama had formed a system of ideas and beliefs for the German ...
Seite 26
... never use our nuclear weapons first against Russia , but instead allow them to attempt a first strike , at which point we are morally justified , even required , to obliterate them . There is strong evidence that the " quick - draw ...
... never use our nuclear weapons first against Russia , but instead allow them to attempt a first strike , at which point we are morally justified , even required , to obliterate them . There is strong evidence that the " quick - draw ...
Seite 28
... never effective ) ; our imaginary life is impregnable under direct assault . Instead , the solution is the creation of literary works that ridicule and otherwise attack the norms and archetypes of pornographic literature . 12 ...
... never effective ) ; our imaginary life is impregnable under direct assault . Instead , the solution is the creation of literary works that ridicule and otherwise attack the norms and archetypes of pornographic literature . 12 ...
Inhalt
13 | |
29 | |
31 | |
The Ceremony within the Play | 49 |
Role Playing within the Role | 67 |
Literary and RealLife Reference within the Play | 88 |
SelfReference | 103 |
Drama and Perception | 119 |
Shakespeare As You Like It | 133 |
Buchner Woyzeck | 148 |
Strindberg The Father | 158 |
Ibsen The Master Builder | 164 |
Pinter Betrayal | 171 |
Afterword | 179 |
Works Cited | 181 |
Index | 185 |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain century ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke estrangement Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet human Ibsen identity inner play inset type intuitive Jaques Laius Laura literary reference literature live Macbeth main play means metadramatic Molière murder nature neurotic never Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production provides R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical theory things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York